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    Home » DDB NY Hires ECD Lucas Panizza, Head of Art Bruno Oppido

    DDB NY Hires ECD Lucas Panizza, Head of Art Bruno Oppido

    By SHOOTMonday, July 20, 2015Updated:Tuesday, May 14, 2024No Comments3705 Views
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    Bruno Oppido (l) and Lucas Panizza
    NEW YORK --

    DDB New York has made a pair of key creative hires, bringing on board Lucas Panizza as executive creative director and Bruno Oppido as head of art. They will report to chief creative officer Icaro Doria.

    An Argentinean native, Panizza previously served as executive creative director at Santo Buenos Aires, where he earned a Gold Cannes Lion for the campaign “Parents,” created for the global launch of Coca-Cola Life. Before that, Panizza was ECD at Grey Argentina, where he won the first Gold Lion for the Argentina office. Prior to his time at Grey, he spent more than a decade as creative director at leading agencies in Argentina, including Del Campo Saatchi & Saatchi, Ogilvy Argentina, DDB Argentina, and VegaOlmosPonce (today Ponce Buenos Aires).

    At the age of 30, Oppido has already been the recipient of numerous creative honors from some of the most internationally respected awards shows in the industry, including 21 Cannes Lions, one of which was a Grand Prix win this year for a film that celebrates the 100th anniversary of the first Leica camera. He also received three Yellow Pencils at D&AD, a Gold Cube from Art Directors Club, two Gold Clio Awards and 12 Pencils (including five Gold) at the One Show. He was ranked as one of the “Top 10 Art Directors” by One Show Design for three consecutive years, and was recently honored on Talent Business’s latest “30 Under 30” list.

    After kicking off his career at DDB Brazil, Oppido spent the past eight years at F/Nazca Saatchi & Saatchi. Over the course of his 11-year career as an art director, Oppido has worked for global brands including Electrolux, FedEx, Honda, Leica Camera, Nike, P&G, Pinacoteca Museum, Skol Beer (InBev) and Telefonica.  

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    Category:News
    Tags:Bruno OppidoDDB New YorkLucas Panizza



    FilmLA Research Finds L.A. Stage Occupancy Declines; Still, New Facilities Open and Are Planned

    Wednesday, March 18, 2026

    Soundstages in Los Angeles experienced a production occupancy rate of just 62 percent for the first half of 2025. That is among the findings of FilmLA Research’s Eighth Annual Sound Stage Production Report released today (3/18).  FilmLA Research is a program of the FilmLA Foundation, a nonprofit organization created to support a thriving film economy in California.

    The report covers 17 studio participants including all the major legacy studios and the larger independents, representing approximately 75 percent of the current 6.9 million square feet of certified stage space in the Los Angeles market.

    As FilmLA reported last year, after years of study participants’ annual occupancy being in the 90th percentile range between 2016 and 2022, it declined to 69 percent in 2023, and then further to 63 percent in 2024. Occupancy data for the first six months of 2025 shows average occupancy remaining steady at about 62 percent.

    The total number of projects shot on participant stages increased slightly by 5 percent from 1,225 to 1,287 projects between 2023 and 2024. At the same time, the total number of shoot days declined by 8 percent from 8,671 to 7,940. Much of this decline can be attributed to a decrease in shoot days associated with scripted television, which declined by 23 percent on participant stages between 2023 and 2024. Despite these declines, participant stages experienced increases in both project numbers and shoot days for some categories production such as feature films, commercials, music videos, and the “other” category, which typically pertains to non- traditional uses such as special events, rehearsals, etc.

    As of March 2026, Los Angeles County remains the world leader in terms of available sound stage space, with 8.3... Read More

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