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    Home » Director Carlos “Kaito” Araujo Secures 1st Spot Representation, Joins Little Minx

    Director Carlos “Kaito” Araujo Secures 1st Spot Representation, Joins Little Minx

    By SHOOTWednesday, December 1, 2021Updated:Tuesday, May 14, 2024No Comments2590 Views
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    Carlos "Kaito" Araujo
    LOS ANGELES --

    Production company Little Minx has brought director/photographer Carlos “Kaito” Araujo aboard its roster for representation spanning commercials and content. This marks Kaito’s first representation in the spotmaking space.

    At the age of 19, Kaito moved to Los Angeles to begin his career working as a director and photographer for Sean “Diddy” Combs at Combs Enterprises. Kaito has since captured assorted iconic moments with Combs–most notably photographing him for Vanity Fair’s September cover—as well as other celebrities including Drake, Jay-Z, Tiffany Haddish, Madonna, Justin Bieber and DJ Khaled. Kaito has contributed to brand campaigns for Spotify, Ciroc and Activision’s Call of Duty, and his work has been featured in Vogue, GQ, People, Billboard and Complex, among others.

    Additionally, Kaito has been busy on the commercial front, recently directing the anthem spot for Frito-Lay’s #joyFULLYBlack campaign. Created in partnership with REVOLT, the campaign was produced by a 100% Black creative team. This year, Kaito was also tapped as the director and photographer for TikTok’s Culture Drivers campaign, which celebrates the best brand and creator partnerships on TikTok.

    “Kaito is an incredibly talented young man,” said Helen Hollien, Little Minx executive producer. “His eye is unrivaled; I’ve never seen someone like him in my 30 years. We’ve already shot our first spot together for the Frito-Lay #joyFULLYBlack campaign and his potential is clear. He represents a new generation of artists breaking into our industry, spreading new ideas in everything he does. From my own experience, clients will find him creative, imaginative, inspiring and thoughtful.”

    Kaito shared, “It’s a blessing for me to ​join ​the Little Minx roster ​alongside other talented​,​ innovative creatives within the commercial space. I look forward to collaborating with more brands​​and capturing cutting edge​ stories that connect​ with their audience.”

    “This is a thank you to Zach Hilder, ECD at 72andSunny, for introducing us to Kaito,” said Rhea Scott, president of Little Minx. “Zach knows we celebrate young talent, fresh perspectives and above all diverse voices who enlighten and captivate. I have a really good feeling about Kaito; he is meticulous, precise, eager for perfection, and also just mellow. I think he will go far.” 

      

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    Category:News
    Tags:CarlosHelen HollienLittle MinxRhea Scott



    Andrew Stanton Grows Up With “Toy Story” For 30+ Years–and Counting

    Tuesday, April 28, 2026
    Andrew Stanton attends the premiere of the film during the Sundance Film Festival in Park City, Utah, on Jan. 26, 2026. (AP Photo/Chris Pizzello, File)

    Andrew Stanton has spent more than half his life with "Toy Story." He was the lead writer on the first three, a script savior on the fourth, and now, cowriter and co-director on "Toy Story 5." "It wasn't the plan," he said in a recent interview. "But it wasn't not the plan." Stanton has done other things than think about Woody and Buzz for the past 34 years. At Pixar, he made "A Bug's Life" and two Oscar-winners: "Finding Nemo" and "WALL-E." But "Toy Story" was the movie that started it all. The one he and his peers couldn't believe they got to make. Everything that's happened since, he said, has been gravy. The new film, in theaters June 12, is widely expected to be one of the summer's biggest hits. The past two movies made more than a billion dollars and this one is likely on the same path. But while there is a business driving many of the decisions regarding the series, Stanton said they've also had a lot of time to think about where the story should go. It's show business, yes, but they always try to put the "show" first. Remember, there was an 11-year gap between "Toy Story 2" and "Toy Story 3," and nine more years before the fourth movie. It was around 2008, when they'd finally cracked the story for three, and decided that it would be the end of their time with Andy as he went off to college, that Stanton started to think wider. "What if it went farther? What if it was a trilogy with one kid, closed that up, handed it off to another kid and started another one?" Stanton said. "That seemed really exciting to me because that's the way life really goes with toys and mementos. They get passed down as hand-me-downs; they go from one kid to another." Midway through the Bonnie era One thing Stanton doesn't love about the Toy Story... Read More

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