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    Home » Director Misko Iho Joins Rattling Stick For Spots, Branded Content

    Director Misko Iho Joins Rattling Stick For Spots, Branded Content

    By SHOOTWednesday, December 11, 2019Updated:Tuesday, May 14, 2024No Comments5811 Views
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    Misko Iho
    LOS ANGELES --

    Finnish-born director Misko Iho, who now lives in Los Angeles, has joined Rattling Stick for commercial and branded content representation in the U.S. and U.K.

    Iho’s early creativity manifested itself in graffiti artistry before he ventured into computer graphics in the early ‘90s. He worked in VFX for many years on a variety of commercial, film and music projects before directing his own award-winning short film Potilas (The Patient) circa 2010. Since then he has directed notable commercials for clients such as Disney, Nintendo and Marvel, and recently received the Director of the Year award and the Grand Prix at the Finnish Commercial Film Awards for Lidl’s “The Cell.”

    Iho–who earlier in his career was repped by production houses Stink in the U.K. and Interrogate in the U.S.–said of his coming aboard the Rattling Stick roster, “I’m always trying to surround myself with peers who I can learn from, and the work of directors like Ringan Ledwidge, Pete Riski, and Daniel Kleinman continues to inspire me and challenges me to up my game. I believe that at Rattling Stick I can keep pushing the limits of my creativity and work on the craft I love with people who share the same passion for cinema.”

    Iho, who’s currently developing a feature, was described by Johnnie Frankel, president of Rattling Stick, as a director whose stellar work is marked “by his passion and professionalism.”

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    Category:News
    Tags:Johnnie FrankelMisko IhoRattling Stick



    Andrew Stanton Grows Up With “Toy Story” For 30+ Years–and Counting

    Tuesday, April 28, 2026
    Andrew Stanton attends the premiere of the film during the Sundance Film Festival in Park City, Utah, on Jan. 26, 2026. (AP Photo/Chris Pizzello, File)

    Andrew Stanton has spent more than half his life with "Toy Story." He was the lead writer on the first three, a script savior on the fourth, and now, cowriter and co-director on "Toy Story 5." "It wasn't the plan," he said in a recent interview. "But it wasn't not the plan." Stanton has done other things than think about Woody and Buzz for the past 34 years. At Pixar, he made "A Bug's Life" and two Oscar-winners: "Finding Nemo" and "WALL-E." But "Toy Story" was the movie that started it all. The one he and his peers couldn't believe they got to make. Everything that's happened since, he said, has been gravy. The new film, in theaters June 12, is widely expected to be one of the summer's biggest hits. The past two movies made more than a billion dollars and this one is likely on the same path. But while there is a business driving many of the decisions regarding the series, Stanton said they've also had a lot of time to think about where the story should go. It's show business, yes, but they always try to put the "show" first. Remember, there was an 11-year gap between "Toy Story 2" and "Toy Story 3," and nine more years before the fourth movie. It was around 2008, when they'd finally cracked the story for three, and decided that it would be the end of their time with Andy as he went off to college, that Stanton started to think wider. "What if it went farther? What if it was a trilogy with one kid, closed that up, handed it off to another kid and started another one?" Stanton said. "That seemed really exciting to me because that's the way life really goes with toys and mementos. They get passed down as hand-me-downs; they go from one kid to another." Midway through the Bonnie era One thing Stanton doesn't love about the Toy Story... Read More

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