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    Home » Director Parker Schmidt Moves To CANADA For U.S. Representation

    Director Parker Schmidt Moves To CANADA For U.S. Representation

    By SHOOTWednesday, April 29, 2026No Comments6 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Parker Schmidt
    LOS ANGELES --

    The L.A. office of the global commercial production company CANADA has signed Parker Schmidt to its roster of directors for U.S. representation. Known for his powerful visual design and unconventional storytelling for automotive, fashion and sports brands, Schmidt has worked on campaigns for Nike, Mastercard, Kia, Cadillac, Lexus, Bolt, Corona Beer and lululemon, among many others. Schmidt’s work has been recognized by the One Club, Vimeo Staff Pick, YDA’s, ADC Awards, Berlin Commercial Awards, and the Santa Monica International Film Awards.

    “Parker is an amazingly vital and radiant young artist who can direct and shoot and create fascinating, impactful visual stories on film,” said CANADA managing director Charlotte Woodhead. “Did I mention he is also a poet and potter? A true hands-on artist who writes verse and shapes clay as beautifully as he does film narratives for brands, Parker is our renaissance man. We are truly excited to have him join our team.”

    Schmidt originally hails from the sagebrush and mountain latitudes of Boise, Idaho, and now lives on the beach in Los Angeles, where he spends his free-time catching waves and cycling the Malibu canyons. He spent years competing as a downhill skateboard athlete sponsored by brands like Sector 9, lululemon and Peralta, among others, and learning advertising on the fly by shooting content for his sponsors around the world. He then dipped into the industry officially by interning in art direction at David Miami, Elephant and INNOCEAN Berlin. He also studied art at the Miami Ad School Europe in Berlin before seizing the director’s chair, working in his early days with Leica Camera, Porsche’s “Type7,” Corona Beer and Nike. Prior to joining CANADA, Schmidt had been represented in the U.S. by production company Florence.

    “I’m gratefully industry ambiguous,” said Schmidt. “Most of my work centers on the human experience, including capturing a higher reality, beyond a surrealistic perspective, and my work also is rooted in something poetic and intimate, all of which can translate into any brand category–automotive, sports, tech, objects, art and design. It’s a unique orientation that I’ve found for myself.”

    You have limited-time access to this page, (Access is valid until: 2026-05-01)
    Category:News
    Tags:CANADACharlotte WoodheadParker Schmidt



    Andrew Stanton Grows Up With “Toy Story” For 30+ Years–and Counting

    Tuesday, April 28, 2026
    Andrew Stanton attends the premiere of the film during the Sundance Film Festival in Park City, Utah, on Jan. 26, 2026. (AP Photo/Chris Pizzello, File)

    Andrew Stanton has spent more than half his life with "Toy Story." He was the lead writer on the first three, a script savior on the fourth, and now, cowriter and co-director on "Toy Story 5." "It wasn't the plan," he said in a recent interview. "But it wasn't not the plan." Stanton has done other things than think about Woody and Buzz for the past 34 years. At Pixar, he made "A Bug's Life" and two Oscar-winners: "Finding Nemo" and "WALL-E." But "Toy Story" was the movie that started it all. The one he and his peers couldn't believe they got to make. Everything that's happened since, he said, has been gravy. The new film, in theaters June 12, is widely expected to be one of the summer's biggest hits. The past two movies made more than a billion dollars and this one is likely on the same path. But while there is a business driving many of the decisions regarding the series, Stanton said they've also had a lot of time to think about where the story should go. It's show business, yes, but they always try to put the "show" first. Remember, there was an 11-year gap between "Toy Story 2" and "Toy Story 3," and nine more years before the fourth movie. It was around 2008, when they'd finally cracked the story for three, and decided that it would be the end of their time with Andy as he went off to college, that Stanton started to think wider. "What if it went farther? What if it was a trilogy with one kid, closed that up, handed it off to another kid and started another one?" Stanton said. "That seemed really exciting to me because that's the way life really goes with toys and mementos. They get passed down as hand-me-downs; they go from one kid to another." Midway through the Bonnie era One thing Stanton doesn't love about the Toy Story... Read More

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