Tabitha Mason-Elliott elected vice chairperson, giving AICP the 1st all-female leadership duo in its history
The AICP National Board of Directors elected a new leadership slate at its 2021 year-end meeting. Lisa Mehling, owner/president of Chelsea, was elected chairperson and Tabitha Mason-Elliott, partner/head of production, at BARK BARK was elected vice chairperson. Additionally, Robert Fernandez, CEO of Moxie Pictures, was re-elected treasurer.
Mehling previously held the post of vice chairperson, and is the first woman to be elected chairperson of the National Board. In addition to serving as vice chair, Mason-Elliott continues in her role as chairperson of the Equity & Inclusion Committee. Fernandez is a former chairperson of the AICP National Board. Rich Carter of brother, outgoing board chairperson, continues in the role of immediate past chairperson.
Both Mehling and Mason-Elliott took note of the cultural inclusiveness of this new Board of Directors leadership slate, as it marks a first for both gender and racial representation. “This is the most diverse Board makeup in the history of AICP,” Mehling said. “I am extremely proud to be elected the first woman chair, and to get to work alongside Tabitha as vice chair. It’s time, and I relish the opportunity.”
Mason-Elliott cited her own experience with AICP as an example of how the association has evolved. Pointing out that she’s been on the board since before the AICE merger in 2018, “in that time I’ve been both the only woman and also the only person of color, so I’ve watched the change in real time. As a person who works in so many areas of the AICP–as a member of the labor negotiations team, president of the Southeast Chapter, hosting the Atlanta AICP Show, the Membership Committee and more–I know that visibility matters. I hope that being active in so many aspects of the AICP inspires more women and people of color to get involved and step into the leadership roles that shape the association.
“Firsts are great,” she continued, “but my commitment is to not to be the last. I’m proud to be a part of this Executive Board and work beside Lisa Mehling, Robby Fernandez and (AICP president and CEO) Matt Miller. I’m fortunate to be working with amazing people that I deeply respect and admire.”
“It’s fitting that as AICP has made a determined effort to increase equity and inclusion across the ranks of our membership and our industry, that we now have two such dynamic and esteemed leaders and champions of this effort leading the Association and its Board of Directors,” said Miller. “However, this slate has been elected because of their leadership within the organization. Lisa has been a guiding force for AICP, and Tabitha’s contributions to the Board and as chairperson of our Equity & Inclusion Committee have been invaluable. Having both leading the Board as it sets the policies and charts the direction of AICP is inspiring for everyone in the industry.”
“The AICP has displayed unparalleled leadership, compassion and solidarity over the past couple of years, providing our industry the needed tools to navigate this insanely challenging environment,” Mehling commented. “We have a unique and powerful platform to advocate for the power of our member production and post community. As Chairperson, I want to continue to champion AICP companies and our collective expertise and influence.”
Mehling’s rise to the chairperson’s position at AICP is the culmination of years of service to the industry and the association. Her company, Chelsea, is an EMMY award-winning studio and the recipient of the 2021 Cannes Lions Palme D’Or as well as numerous recognitions in the AICP Awards. She previously served on the AICP East chapter board, and has played a key role on numerous committees. She also served as chairperson of the AICP Show: The Art & Technique of the Commercial in 2017. Elected vice chairperson of the National Board in 2019, she has helped steer AICP during a particularly challenging time for the commercial production and post industry.
Mason-Elliott will continue to serve as chairperson of AICP’s Equity & Inclusion Committee, which recently released its first annual report, sharing its year-long record of accomplishments and initiatives with members and the industry. She feels AICP has made a concerted effort to affect change in this regard. “We’ve taken a look at our place in the world at large and our responsibilities within it on every level,” she observed. “And we’ve identified where we need to shift. We’ve worked really hard to address how best to safely navigate the pandemic while also making changes to dismantle inequity in our industry. I see those as continued efforts that require our diligence and commitment to long term solutions.”
An award-winning producer and partner at BARK BARK, Mason-Elliott oversees the production of TV series, documentaries, promos and branded content for a wide range of clients across agencies, networks and brands. Her company’s work has won numerous awards, including Cannes Lions as well as honors from Clio Entertainment, The Telly Awards, Promax and the Addy’s.
Fernandez brings many years of industry leadership to the post of Treasurer. He served three terms as chairperson of the AICP National Board of Directors, and was chairperson for The AICP Show: The Art & Technique of the Commercial in 2008. His work as a producer and executive producer, both in commercials and entertainment, ranges from multiple winners of AICP Awards recognition to the Cannes Lions Palme D’or and the Academy Award.
Re-elected as directors at large this year are Mehling; Sally Campbell, SOMESUCH; Scott Taylor, Taylor & Taylor; David Thorne, Furlined; and Mal Ward, Arts & Sciences. The additional directors at large are: Margaret Capossela, NEED Financial; Yvette Cobarrubias, Cosmo Street; Gloria Pitagorsky, Heard City; Ralph Laucella, O Positive; and Frank Scherma, RadicalMedia.
Andrew Colon, SMUGGLER, was re-elected as West regional director, joining Qadree Holmes, Quriosity, and Lisa Masseur, Tessa Films, as Midwest regional directors; and Brian Hwang, Threaded, as Southwest regional director.
Changing OpenAI’s Nonprofit Structure Would Raise Questions and Heightened Scrutiny
The artificial intelligence maker OpenAI may face a costly and inconvenient reckoning with its nonprofit origins even as its valuation recently exploded to $157 billion.
Nonprofit tax experts have been closely watching OpenAI, the maker of ChatGPT, since last November when its board ousted and rehired CEO Sam Altman. Now, some believe the company may have reached — or exceeded — the limits of its corporate structure, under which it is organized as a nonprofit whose mission is to develop artificial intelligence to benefit "all of humanity" but with for-profit subsidiaries under its control.
Jill Horwitz, a professor in law and medicine at UCLA School of Law who has studied OpenAI, said that when two sides of a joint venture between a nonprofit and a for-profit come into conflict, the charitable purpose must always win out.
"It's the job of the board first, and then the regulators and the court, to ensure that the promise that was made to the public to pursue the charitable interest is kept," she said.
Altman recently confirmed that OpenAI is considering a corporate restructure but did not offer any specifics. A source told The Associated Press, however, that the company is looking at the possibility of turning OpenAI into a public benefit corporation. No final decision has been made by the board and the timing of the shift hasn't been determined, the source said.
In the event the nonprofit loses control of its subsidiaries, some experts think OpenAI may have to pay for the interests and assets that had belonged to the nonprofit. So far, most observers agree OpenAI has carefully orchestrated its relationships between its nonprofit and its various other corporate entities to try to avoid that.
However, they also see... Read More