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    Home » Review: Director Nicolai Fuglsig’s “12 Strong” 

    Review: Director Nicolai Fuglsig’s “12 Strong” 

    By SHOOTWednesday, January 17, 2018Updated:Tuesday, May 14, 2024No Comments5275 Views
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    This image released by Warner Bros. Entertainment shows Chris Hemsworth, left, and Thad Luckinbill in a scene from "12 Strong." (David James/Warner Bros. Entertainment via AP)

    By Lindsey Bahr, AP Film Writer

    --

    In the days and months following the Sept. 11 attacks, a small U.S. Special Forces unit led an offensive against the Taliban and Al Qaeda in Afghanistan. They worked in harsh conditions alongside a local warlord and his men, an uneasy alliance at best, and, even with all the technology and money of the U.S. military, executed the successful mission largely on horseback.

    The operation — Task Force Dagger — was classified for years and explored later in Doug Stanton's 2009 book "Horse Soldiers: The Extraordinary Story of a Band of U.S. Soldiers who Rode to Victory in Afghanistan." It provides the basis for "12 Strong," a long-in-the-works adaptation from producer Jerry Bruckheimer ("Black Hawk Down") and director Nicolai Fuglsig, a Danish photojournalist who has shot the War in Kosovo, a Levi's short film, and a Coca-Cola spot in his eclectic career. (His commercialmaking roost is production house MJZ.)

    Films about U.S. military operations in Iraq and Afghanistan have a somewhat dicey track record. They can veer from too sentimental to too macho and bloviating depending on who's in front of and behind the camera. But "12 Strong" is, while perhaps not the deepest entry, a very solid movie with an engaging story, script and cast led by Thor himself, Chris Hemsworth.

    Only slightly camouflaged behind a modern haircut and some manicured stubble, Hemsworth is Capt. Mitch Nelson, who is on leave with his young daughter and wife (played by his real-life spouse Elsa Pataky) but springs into action at the sight of the World Trade Center falling on the news. He raises his hand to assemble a team and get over to Afghanistan as soon as possible.

    Before that happens, however, we must sit through another obligatory farewell-to-the-families sequence to remind us that many of these guys have wives and children to get back to — some of whom are withholding sex as incentive for a quick homecoming and others who couldn't be any crueler to a member of their family whom they very well might never see again. (There must be a way to make these scenes feel less rote.)

    It's when the men get to the Middle East that the film becomes truly gripping, thanks to an ominous score, a hair-raising helicopter ride that rivals moments in Kathryn Bigelow's "Zero Dark Thirty," and the inherent tension of a mission that, as Nelson puts it, has no playbook. Their task is to meet up with Gen. Abdul Rashid Dostum (an excellent Navid Negahban) who may be equally motivated to fight the Taliban if properly persuaded.

    Dostum and Nelson form a tenuous bond that is tested throughout the film, as they trade the shield of modern technology for horses and mules to cross the treacherous landscape (New Mexico plays Afghanistan here). The action sequences are riveting, if a little numbing at times, and their evolving mission is engaging throughout.

    What separates "12 Strong" from the pack, however, is its ability to introduce and stay with a band of brothers worth caring about. In addition to Hemsworth, they are played by Michael Shannon, Michael Pena, Trevante Rhodes, Geoff Stults, Thad Luckinbill, Austin Stowell, Ben O'Toole, Austin Hebert, Kenneth Miller, Kenny Sheard and Jack Kesy. The dialogue (Ted Tally and Peter Craig have screenplay credits) is more crackling than standard wartime action pic fare, and actors like Hemsworth, Shannon and Pena make it their own too.

    Politics and consequences, both before and after this mission, are of little interest to the filmmakers beyond wistful musings of Dostum, who makes passing comments about how Afghanistan is the "graveyard of many empires" and how the U.S. forces will be cowards if they leave and enemies if they stay.

    But stirring and solid, "12 Strong" is the kind of film that might make you think twice about January releases, and spotlights a riveting story in our recent history that many Americans might not know.

    "12 Strong," a Warner Bros. Pictures release, is rated R by the Motion Picture Association of America for "war violence and language throughout." Running time: 130 minutes. Two and a half stars out of four.

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    Review: Director Kyle Balda’s “The Sheep Detectives”

    Wednesday, May 6, 2026
    This image released by Amazon MGM Studios shows characters Mopple, voiced by Chris O'Dowd, left, and Lily, voiced Julia-Louis Dreyfus in a scene from "The Sheep Detectives." (Amazon MGM Studios via AP)

    Maybe out of fear of putting filmgoers to sleep, the sheep has not been much of a mainstay at the movies. There's Charles Burnett's lyrical classic "Killer of Sheep." You could get creative and cite Chris Farley's "Black Sheep." But, really, this is the domain of "Shaun the Sheep," the uber-charming Aardman Animation about the wordless but wise guardian of Mossy Bottom Farm. Joining this small flock of films now is "The Sheep Detectives," which, like "Shaun the Sheep," takes place in the verdant English countryside and concerns barnyard animals with higher-than-usual IQs. Every night, shepherd George Hardy (Hugh Jackman) reads murder mysteries as bedtime stories for his hillside of grass grazers. They listen intently and bleat the bad guys. Only while talking amongst themselves afterward do they reveal their hidden powers of deduction. So when George turns up dead, the sheep are on the case. Led by the particularly keen Lily (voiced by Julia Louis-Dreyfus), they prove remarkably adept private eyes despite the wool over their eyes. But if such an ewe-dunit premise has you expecting a lightly funny caper, "The Sheep Detectives" is too gentle and strenuously poignant to turn its silly tale into all that much fun. As devoid as I was previously of opinions on sheep detective movies, I do think they ought to be funny. There are undoubtedly a few decent gags here — the cleverest trick is to make the MGM lion baa, not roar, at the start — but "The Sheep Detectives" is too mild to stand out from the herd of mysteries, even as a strictly family-friendly variety. "Shears Out," we could call it. "The Sheep Detectives" is adapted from Leonie Swann's 2005 book, "Three Bags Full," and it has tried to find some middle ground between the novel and "Babe." While... Read More

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