Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Vue, Hijinks and Director Taika Waititi Author “Feel It Forever” Love Letter To Cinema

    Vue, Hijinks and Director Taika Waititi Author “Feel It Forever” Love Letter To Cinema

    By SHOOTFriday, May 1, 2026No Comments117 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Theater chain Vue is inviting cinemagoers to “Feel It Forever” in this brand film created by London-based ad agency Hijinks and directed by Taika Waititi. The campaign, commissioned by Vue, is a cinematic celebration showcasing the power of the big screen experience and forms a love letter to cinema, showing how stories, characters and emotions never leave us.

    The two minute “Feel It Forever” film, which will air before all screenings across Vue’s European estate, as well as on social, connected TV, and digital channels, forms part of a wider campaign promoting a refreshed brand platform for Vue to highlight how its continued focus on the customer experience draws audiences into moments of awe that leave a lasting impact.

    “Feel It Forever” revolves around a visual metaphor where cinemagoers are followed around by characters from all the films they’ve seen throughout their lives, highlighting how the feelings sparked by watching a film on the big screen never truly leave us.

    We first see a young woman and a young man moving through a city, locking eyes and flirting along the way. Aerial shots reveal that everyone around them has their own line of characters following them around, with children carrying fewer characters with them as a result of having seen fewer films. The couple arrive at a Vue venue for a first date, experiencing the ultimate big screen moment. As they leave, new characters join their lines, and we see streams of characters follow every cinema-goer across the city.

    The work visualizes how stories, emotions, and characters from film can live on long after the credits roll. Waititi, who shot the film with production company Hungryman on location in New Zealand and London, commented: “This is an epic love letter to cinema that reminds us why we go, and keeps us coming back.”

    The film itself was created by a team with a strong pedigree of talent in cinematic art. In addition to Waititi, (Thor: Love & Thunder and a Best Adapted Screenplay Oscar winner for Jojo Rabbit in 2020), the wider production team included colorist Jean-Clement Soret (Black Mirror), editor Tom Eagles (Jojo Rabbit), DPs Ross Giardina (Gold) and Suzie Lavelle (Severance), composers Soundtree Music (Train Dreams) and post by The Refinery (The Hunger Games: the Ballad of Songbirds & Snakes).

    Together with Hijinks’ creative team, the team worked on recreating movie characters from a wide range of genres, from romcom to sci-fi, film noir to action and more. Styling, color and grade also correspond to their genres and historical time period (for example, an 80s-style character is given an analog VHS screen effect and noise, a Wild West character is portrayed with a dusty sepia grade evocative of Technicolor while a fantasy genre fairy has a soft ethereal glow.)

    The campaign will run in the U.K. and Ireland from May 1, followed by The Netherlands, Germany, Italy, Denmark, Poland, and Lithuania later in May with the wider campaign including social edits, behind-the-scenes content, out-of-home, and in-cinema assets.

    Marc Allenby, co-founder and chief creative officer at Hijinks, said, “This was the brief every creative wants to land in their lap. Cinema is such a brilliant and important cultural playground, and having the opportunity to create a piece of entertainment that utilizes the big screen and Dolby Atmos sound was the absolute dream, not just for myself, but for the whole entire Hijinks team. And having brilliant client partners helped us define the brief and challenged us at the moments that mattered. Working with Taika was the experience of a lifetime. I’m incredibly proud of what we have achieved together–two minutes of pure big screen joy.”

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2026-05-03)
    Credits

    Client Vue International Timothy Richards, CEO; Matthew O’Hara, group brand manager; Dan Green, group director of digital. Agency Hijinks Mark Allenby, Tamryn Kerr, chief creative officers; Alicia Iveson, CEO; Felipe Sampaio, Gabriel T. Garcia, creative directors; Ade Yeo, art director; Sophie Tilks, copywriter; Sinead Brennan, head of social; Tyn Nuo Tan, social creative; Megan Sturgess, producer; Maddie Harper, assistant producer; Anita Sasdy, head of production; Chris Wills, head of design; Mossie Henry-Jones, motion design. Production Hungryman Taika Waititi, director; Matt Buels, managing partner; Hannah Stone, producer; Ross Giardina, Suzie Lavelle, DPs. Production Service Company Finch Editorial MakeMake Tom Eagles, editor. Postproduction The Refinery Pete Rypstra, post lead/supervisor; Ariye Mahdeb, Alastair Orr, COOs; Rory Mark, head of visual effects department; Eddie Addinall, visual effects supervisor/sr. Flame artist; Simone Fanti, sr. VFX producer; Alex Morote, Felix Marrington-Reeve, 3D; Fabiano Palmisano, AI artist; Milo Paterson, Flame/2D artist; Chris Allen, Katie Gillard, postproduction. Color Grade Company 3 Jean-Clement Soret, colorist. Color Grade No8 Jonny Tully, colorist. Sound Design Factory James Utting, sound designer; Emily Thomas, audio producer; Lou Allen, managing directir; Anthony Moore, owner & chief creative officer. Music Soundtree Joel Hartman, composer, producer, mixer; Luke Fabia, producer & mixer; Luis Almau, head of music, mixer; Jay James, managing director/creative partner.

    Media Type:Film: Short
    Video Tags:HijinksTaika Waititi



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleDisney, Fallon and Director Goh Iromoto Are “Drawn” To Help Kids’ Wishes Come True
    Next Article VELUX Takes Flight In “Planes”; Twenty, Director Louise Wachtmeister Explore The Magic Above Us
    SHOOT

    Add A Comment
    What's Hot

    Ira Sachs and Rami Malek Explore Art Love and Death In Cannes Entry “The Man I Love”

    Thursday, May 21, 2026

    Director Femi Oladigbolu Signs With PRETTYBIRD For UK Representation Spanning Spots and Music Videos

    Thursday, May 21, 2026

    “Once Upon a Time in Harlem” Finally Has Its Time At The Cannes Film Fest, 50 Years After It Was Shot

    Thursday, May 21, 2026
    Shoot Screenwork

    Top Spot of the Week: Andrex, FCB London and Director She King Tackle The Labor Poo Taboo

    Thursday, May 21, 2026

    Andrex launches its latest campaign as part of its mission to help the nation “Get…

    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    The Best Work You May Never See: Fela Director William Ukoh Puts Light Into Motion For Gantri

    Tuesday, May 19, 2026

    Francois Rousselet Directs The Rolling Stones’ “In The Stars”

    Monday, May 18, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.