“Mateo, a good guy” is a road safety campaign promoted by the Government of Chile that offers a different perspective on responsible driving. The story in this public service film–directed by Yupi Segura via Oriental Films (Mexico) for agency FRI Chile–focuses on a familiar, everyday character, someone widely perceived as a good person, to show how a small decision behind the wheel can lead to irreversible consequences.
The campaign for TV and social avoids a didactic tone and instead relies on identification as the main trigger for reflection. With a restrained visual language and a grounded narrative, “Mateo, a good guy” aims to raise awareness of the consequences of drunk and distracted driving. This film was released during the end-of-year holiday season, a period of high mobility and increased road risk.
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Credits
Client Gobierno de Chile – Conaset Agency FRI Chile Andrés Díaz, chief creative officer; Marco Calderon, head of art; Javiera Ortega, copywriter; Francisca Moreno, Deborah Buratovic, Omar Balut, art directors; Julio Irribarra, brand planner. Production Company Oriental Films (Mexico) Yupi Segura, film director; Marcia Palma, exec producer; Rodrigo Canales, production manager; Jennifer Contreras, line producer/post producer; Alvaro Eyzaguirre, assistant director; Rafa Russo, DP; Ignacia Sands, art direction; María José Paz, costume design. Postproduction Pedro Aragón, film editor; Yulia Bulashenko, colorist. Music Composition & Sound Design Agosto Voiceover Rubén González
Featured on war memorials in 900 communes across France, the statue of the “Victorious Soldier” has embodied for over a century the image of a heroic, invincible soldier, frozen in glory. A workshop model, created by sculptor Eugène Benet, opens the permanent exhibition of the Museum of the Great War in Meaux, reminding visitors that in every commune in France, a war memorial honors the sacrifice made by those children who died for their country during the Great War. But what does this symbol of victory truly conceal?
Part of the BBDO Paris campaign “Broken Souls” for the Museum of the Great War, this film about the Victorious Soldier offers a moving reinterpretation of this national symbol. Through a series of close-up shots of a static and triumphant statue, we are drawn into an intimate and deeply troubling exploration.
Carried by the music “Remains” by Volker Bertelmann and the voice of Finnegan Oldfield, the narrative gradually fractures the frozen image.
Behind his triumphant posture emerge other realities: fear, anguish, distress. The cry of victory transforms into an inner cry--silent yet deafening. The inner cry of a soldier who returned alive, but forever traumatized.
By subverting a symbol deeply rooted in collective memory, “The Victorious Soldier” shifts our perspective: beyond the hero, it reveals the man.
With this film--directed by BBDO Paris art director Julien Beuvry via production company WAD--the museum continues its mission: to uncover a more human and lasting memory of war, shedding light on those soldiers for whom suffering did not end when combat ceased.
The film is on the Museum of the Great War’s website and social media.
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