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    Home » SAG-AFTRA and Studios Reach A Tentative 4-Year Deal, Easing Fears Of Another Hollywood Shutdown

    SAG-AFTRA and Studios Reach A Tentative 4-Year Deal, Easing Fears Of Another Hollywood Shutdown

    By SHOOTMonday, May 4, 2026No Comments1 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    A picketer carries a sign on the picket line outside Netflix on Wednesday, Sept. 27, 2023, in Los Angeles. (AP Photo/Chris Pizzello, File)

    By Andrew Dalton, Entertainment Writer

    LOS ANGELES (AP) --

    Union board members representing television and movie actors are set this week to review a tentative contract deal with studios and streaming services.

    While an agreement was announced Saturday, it still must be approved by the board of the Screen Actors Guild-American Federation of Television and Radio Artists, then ratified by a member vote. If both those things happen — as they’re expected to — the industry will avoid a repeat of the 2023 actor and writer strikes that seriously shook the entertainment industry. This year’s negotiations were drama-free, and more strikes never really appeared to be in the cards.

    The tentative deal was announced in a joint statement from SAG-AFTRA and the Alliance of Motion Picture and Television Producers, which represents a coalition of Hollywood’s major studios, streamers and production companies.

    The statement said no details would be made public until the union’s board has had a chance to review them.

    A person familiar with the negotiations told The Associated Press that the agreement was for a four-year contract instead of the long-standard three. The person spoke on the condition of anonymity because they were not authorized to speak publicly.

    The union’s main priorities going into talks included bolstering protections against the use of artificial intelligence creating synthetic performers or recreating likenesses of real actors. Also on the actors’ agenda was securing improved long-term payments for re-aired shows, known in the industry as residuals.

    In an interview with the AP shortly before talks began, actor and SAG-AFTRA President Sean Astin said the union had to fight to protect the gains made in the strike.

    “There is no going back,” he said.

    Astin said the studios were “sending signals of wanting stability, of wanting to work as partners.”

    The studios also appeared cautiously optimistic that a fair deal would be reached.

    It took about six weeks of talks for the two sides to reach the agreement. The negotiations began Feb. 9 but were interrupted while studios took a break from the actors’ talks to negotiate with writers, who also reached a four-year agreement instead of their usual three-year deal.

    The current SAG-AFTRA contract is set to expire June 30. Even in years without strikes, negotiations often come up to the brink or even go past the deadline.

    With the actor talks completed, AMPTP negotiators are free to begin contract talks with the Directors Guild, the first under new president Christopher Nolan. Those are set to begin May 11.

    You have limited-time access to this page, (Access is valid until: 2026-05-06)
    Category:News
    Tags:Alliance of Motion Picture and Television ProducersAMPTPSAG-AFTRAScreen Actors Guild-American Federation of Television and Radio Artists



    Director Marc Munden’s “Lord of the Flies” Is A Harrowing Descent Into Horror

    Monday, May 4, 2026
    This image released by Netflix shows director Marc Munden, center, on the set of "Lord of the Flies." (J Redza/Netflix via AP)

    Put 40 boys alone on an island and what do you get? Harmony or chaos? British author William Golding predicted not good things in his harrowing 1954 classic novel "Lord of the Flies," and a new powerful, kinetic TV adaptation makes an inspired case that he was probably right. The Netflix series premiering Monday follows more than two dozen British boys in the mid-1950s stranded on a tropical island after a plane crash as they descend into tyranny and violence, making an indictment about the fragility of democracy and the shallow veneer of civilization. "We've advanced socially or we've advanced technologically, but those issues are still there," says David McKenna, who plays a sensible boy nicknamed Piggy. "I would say put 40 boys on a tropical island today, and the same thing would probably happen, sadly." "It can't help but be chaos" The series is adapted by Jack Thorne, the writer behind the stage play "Harry Potter and the Cursed Child" and the Emmy-winning TV series "Adolescence," and directed by his longtime collaborator, Marc Munden. "A lot of the time it was utter chaos and we tried to film some of that chaos as well," says Munden. "It can't help but be chaos when you've got 36 boys under the age of 12." Thorne's four-part adaptation brings a different character to the forefront in each episode, starting with the rational Piggy, coming to consciousness after the crash and offering a voting-based system that allows everyone a voice. "What we need to do is get a sense of exactly what we know," he says. He meets the cheerful and friendly Ralph (played by Winston Sawyers), and they gather the rest of the castaways, including a group of choirboys led by the volatile Jack (Lox Pratt) and the soulful Simon (Ike Talbut). There's... Read More

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