Optimus has produced five innovative spots for the Chicago Blackhawks 2010-2011 regular season. Three of the 30 second spots featuring players Jonathan Toews, Patrick Kane and Duncan Keith debuted during the Blackhawks’ season opener, with the remaining two spots to be unveiled throughout the regular season. The spots bring to life the intense and dramatic tone of the Blackhawks’ new advertising campaign, developed by Ogilvy & Mather/Chicago, which captures each individual player’s skills and passion; while underscoring the team’s continuous commitment to “One Goal”.
Optimus; Editor: Randy Palmer; Asst. Editors: Mike Berg, Logan Hall; Colorist: Craig Leffel; Colorist (Dailies): Ken Wald; Color Asst: Joel Signer; Graphic Design: Donnie Bauer; Online Editor: Mike Weber; Online Assts: Jim Moore, Glenn Pasek; Audio Engineer: Bruce Lash; Audio Asst: Marina Bacci; EP/Managing Director: Gretchen Praeger; Executive Producer: Brian Hrastar; Associate Producer: Lauren Connolly. ONE at Optimus; Director/DP: Jim Matlosz; Associate Producer: Sarah Slevin; Executive Producer: John Noble; Senior Producer: Kathy Hurley; Line Producer: Kipp Christiansen. Ogilvy & Mather/Chicago; Sr. Partner/Director of Broadcast Production: Larry Bryne; Partner/Executive Producer: Mike Diedrich; Chief Creative Officer: Joe Sciarrotta; Partner/Creative Director (Art Director): Chris Turner; Partner/Creative Director (Copywriter): Dave Metcalf
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More