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    Home » Ben Kwok of Blacksmith Wins Best in Show At AICP Post Awards For Zillow’s “The Journey”

    Ben Kwok of Blacksmith Wins Best in Show At AICP Post Awards For Zillow’s “The Journey”

    By SHOOTTuesday, July 27, 2021Updated:Tuesday, May 14, 2024No Comments4785 Views
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    A scene from Zillow's "The Journey"

    Honors presented over a range of postproduction categories; Company 3 leads the way with four awards

    NEW YORK --

    Ben Kwok, visual effects supervisor at Blacksmith, won the Best in Show at the AICP Post Awards premiere, held virtually this evening (7/27). Kwok won for his masterful compositing and Flame work on “The Journey” for Zillow, in which a young girl is accompanied on frightening and fanciful travels to her new home by a pair of reassuring furry characters, who help smooth the way. Created by the New York office of FIG, the piece also won for Compositing & Visual Effects. 

    The AICP Post Awards honor excellence in a range of postproduction crafts, including editing, color grading, audio mixing, sound design, visual effects, CGI, animation and design. They’re part of the AICP’s suite of juried competitions, which also includes the AICP Next Awards and the AICP Show. To view all the winners of the 2021 Post Awards, click here.

    Kwok was one of a group of artists who scored two AICP Post Awards each. Also honored twice were editors Jessica Baclesse and Peter Wiedensmith of Joint Editorial, who won in the categories of Editorial: Existing Footage (added this year to honor work created under pandemic circumstances) and Editorial: Montage for Nike’s “You Can’t Stop Us.” Spencer Susser of Blue-Tongue Films, the editor/director behind the Humane Society International’s “Save Ralph,” was singled out for Editorial: Cause Marketing/PSA and Best of West. And editor Will Town of Modern Post won in the categories of Editorial: Dialogue/Monologue/Spoken Word and Editorial: Fashion/Beauty for Vogue’s “I Love New York.”  

    A number of companies were represented with multiple awards presented to their artists. Company 3 led this list, with its artists taking home four AICP Post Awards: colorist Sean Coleman won Color Grading: Under :60 for Turbo Tax’s “Auctioneer”; colorist Dave Hussey won Color Grading: :60 to :90 for Diet Coke’s “Drink What Ya Mama Gave Ya”; and colorist Tim Masick won Color Grading: Over 90 for Zara’s “Women/Spring Summer Campaign.” In addition, colorist Billy Gabor was singled out for Best of Southeast for Lenovo’s “Liftoff.”

    Both Blacksmith and Modern Post were represented at the show with three awards presented to its artists. For Blacksmith, in addition to the two wins for Kwok, CGI leads Tuna Unalan and Olivier Varteressian were also honored in the CGI category for Zillow’s “The Journey.” At Modern Post, in addition to the two wins for Town, editor Graham Patterson won in the Editorial: Music Video category for Sufjan Steven’s “Sugar.”

    In addition to FIG’s three wins for Zillow, the agencies Droga5 and Wieden+Kennedy were also affiliated with three winning pieces in the AICP Post Awards. Droga5 was honored in the Editorial: National Campaign for Amazon  (Ben Campbell, Cut+Run/The Quarry), in Editorial: Storytelling for Huggies (Trish Fuller and Stuart Reeves, Work Editorial) and Best of East for Facebook (Mikkel EG Nielsen, Rock Paper Scissors). Wieden + Kennedy was honored for Nike in Editorial: Existing Footage and Editorial: Montage (Jessica Baclesse and Wiedensmith, Joint Editorial) and for Turbo Tax in Color Grading: Under :60 (Coleman of Company 3). 

    In addition, AMV BBDO and Vogue each worked on projects that won two Post Awards; the former for Libresse/Bodyform #wombstories in Audio Mix (Sam Ashwell and Jake Ashwell of 750MPH) and Graphic Design & Animation (Sharon Lock of Framestore), the latter for its “I Love New York” project in Editorial: Fashion/Beauty and Editorial: Dialogue/Monologue/Spoken Word (Town of Modern Post).

    The 2021 AICP Post Awards also saluted the top winners of the 2019 Camp Kuleshov competition. (Camp Kuleshov was not held in 2020.) Top winners from across the participating AICP chapters who won in the categories of Editorial, Graphics and Sound Design went up against each other for the coveted “Lev Award,” named for the Russian film theorist Lev Kuleshov. The “Lev” winners each presented a 15-second acceptance speech during the show. They included Evan Goodell of Hero Post in Atlanta, who won in the Editorial category; Katie Schade of Optimus in Chicago, who won in the Graphics category; and Logan Vines of Another Country, also in Chicago, who won in the Sound Design category. 

    The Post Awards featured graphics and titles created by Ingenuity and Cosmo Street, with a score by Robert Miller of RNDM ORDR. The Colonie created the sponsor tribute, which featured music by Noisefloor. 

    Sponsors help make all of the AICP awards competitions and events possible. AICP Partners and Supporting Partners, who support all AICP events throughout the year, are: CAPS – A Cast & Crew Entertainment Company, Universal Studios and Wrapbook (Partners); and Film Offices of The Hawaiian Islands; Musicbed + Filmsupply; Sony Pictures Studios; and The TEAM Companies (Supporting Partners). 

    The 2021 AICP Awards Sponsors include Aspen Travel, AwardCore, BMGPM and BMG Bespoke, The Colonie, Color Lab, Cosmo Street, Heard City, Hello World, International Digital Centre – IDC, Istros Media, Ingenuity, Kodak, Little Black Book, Noisefloor, RNDM ORDER, The ROOTS, S’well, SHOOT Magazine | SHOOT Online,  Source | SHOTS | Slate and Whitehouse Post.

    AICP Post Awards Winners 

    Editorial: Automotive
    Carla Luffe
    Forsman & Bodenfors
    MJZ
    Volvo
    “The Parents”

    Editorial: Cause Marketing/PSA
    Spencer Susser
    Blue-Tongue Films
    Humane Society International
    “Save Ralph”

    Compositing & Visual Effects
    Ben Kwok
    Blacksmith
    FIG
    Epoch Films
    Zillow
    “The Journey”

    Graphic Design & Animation
    Sharon Lock
    Framestore
    AMV BBDO
    Chelsea Pictures
    Libresse
    “#wombstories”

    Color Grading: Music Video
    Matthew Schwab
    Flawless Post
    Parkwood Entertainment
    Beyoncé
    “Brown Skin Girl”

    Color Grading: Over :90
    Tim Masick
    Company 3
    Baron & Baron
    Seeker Productions + One Thirty Eight Productions
    Zara
    “Woman | Spring Summer 2021 Campaign”

    Color Grading: Under :60
    Sean Coleman
    Company 3
    Wieden+Kennedy
    Biscuit Filmworks
    Turbo Tax
    “Auctioneer”

    Color Grading: :60 To :90
    Dave Hussey
    Company 3
    Anomaly
    Caviar + Grayskull
    Diet Coke
    “Drink What Ya Mama Gave Ya”

    Editorial: Comedy
    Grant Gustafson
    Cutters
    Highdive
    MJZ
    Rocket Mortgage
    “Certain is Better”

    Editorial: Dialogue/Monologue/Spoken Word
    Will Town
    Modern Post
    One Thirty Eight Productions
    Vogue
    “I Love New York”

    Editorial: Montage
    Jessica Baclesse, Peter Wiedensmith
    Joint Editorial
    Wieden+Kennedy
    Pulse Films
    Nike
    “You Can’t Stop Us”

    Character Design & Animation
    Tim Allen
    Blinkink
    The Gate
    Childline
    “Nobody is Normal”

    CGI
    Tuna Unalan, Olivier Varteressian
    Blacksmith
    FIG
    Epoch Films
    Zillow
    “The Journey”

    Type Design & Title Animation
    Omar Aqil, Wallen Diaz, Michelle D’Urbano, SMECCEA, Nini Sum, Kota Yamaji
    Brand New School
    Adobe
    “MAX Conference Identity”

    Sound Design
    Alex Bingham, Alberto Mielgo, Patch Rowland,  Andy Stewart
    Machine London
    DDB Paris
    Pinkman.tv
    UBISOFT
    “Watch Dogs: Legion – Tipping Point”

    Audio Mix
    Sam Ashwell,  Jake Ashwell
    750MPH
    AMV BBDO
    Chelsea Pictures
    Libresse
    “#wombstories”

    Editorial: Regional
    Micah Scarpelli
    Uppercut
    22Squared
    Park Pictures
    AdventHealth
    “The Sound of Healing”

    Best of East:  Docu-Style
    Mikkel EG Nielsen
    Rock Paper Scissors
    Droga5
    Epoch Films
    Facebook
    “Born In Quarantine”

    Best of Midwest:  Cause Marketing/PSA
    Craig Lewandowski
    Utopic
    Sandro Films
    Truth Hope and Just Initiative
    “Mothers”

    Best of Southeast:  Color Grading: Over :90
    Billy Gabor
    Company 3
    Zeno Group
    Nom de Guerre Films
    Lenovo
    “Liftoff”

    Best of Southwest:  Sound Design
    Matt Cimino
    Lucky Post
    The Richards Group
    Hammer Productions
    RAM
    “2021 Ram 1500 TRX Desert Dream”

    Best of West:  Cause Marketing/PSA
    Spencer Susser
    Blue-Tongue Films
    Humane Society International
    “Save Ralph”

    Editorial: Docu-Style
    Dave Warren
    Nomad Editing
    Great Guns
    Black Lives Matter
    “Mama”

    Editorial: Fashion/Beauty
    Will Town
    Modern Post
    Vogue
    One Thirty Eight Productions
    Vogue
    “I Love New York”

    Editorial: Music Video
    Graham Patterson
    Modern Post
    Mythologie Pictures
    Sufjan Stevens
    “Sugar”

    Editorial: National Campaign
    Ben Campbell
    Cut+Run / The Quarry
    Droga5
    Biscuit Filmworks
    Amazon
    “Amazon Alexa”

    Editorial: Existing Footage
    Jessica Baclesse, Peter Wiedensmith
    Joint Editorial
    Wieden+Kennedy
    Pulse Films
    Nike
    “You Can’t Stop Us”

    Editorial: Storytelling
    Trish Fuller, Stewart Reeves
    Work Editorial
    Droga5
    SMUGGLER
    Huggies
    “Welcome to the World, Baby”

    Best of Show: Compositing & Visual Effects
    Ben Kwok
    Blacksmith
    FIG
    Epoch Films
    Zillow
    “The Journey”

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    Category:News
    Tags:AICP Post AwardsBen KwokBlacksmithCompany 3Modern Post



    Oscar-Nominated Cinematographer Phedon Papamichael Settles Comfortably Into The Director’s Chair

    Thursday, April 30, 2026
    Phedon Papamichael

    Phedon Papamichael, ASC, GSC is perhaps best known as a cinematographer, underscored by a pair of Oscar nominations--one in 2014 for his lensing of Nebraska for director Alexander Payne; the other in 2021 for The Trial of the Chicago 7 from writer-director Aaron Sorkin. Papamichael also is a two-time BAFTA Film Award nominee for his shooting of Nebraska and director James Mangold’s Ford v. Ferrari. Still, in the midst of his ongoing, lauded cinematography--which includes an ASC Award nomination last year for Mangold’s A Complete Unknown--Papamichael not only has a track record as a director but is growing a bit deeper into that role, notably with work in commercials via IndependentMedia, the longstanding shop headed by executive producer Susanne Preissler. His recent directing endeavors on the ad front (which often include him shooting the work as well) span such brands and agencies as Cadillac for 72andSunny, Volkswagen for adam&eveDDB in London, Laughing Man Coffee for Red Tettemer O’Connell + Partners, Nescafe for Publicis, Mercedes-Benz out of Publicis Berlin, a client-direct project for Fuji, and Hyundai for the European and Asian markets. This adds to a body of directorial work for Papamichael over the years which includes his helming debut on the mystery-thriller The Sketch Artist starring Drew Barrymore, the psychological horror feature From Within, which premiered at the Tribeca Festival, Arcadia Lost starring Nick Nolte, and the short A Beautiful Day starring James Brolin. Papamichael also teamed with Harry Patramanis to direct the documentary Through Children’s Eyes. Papamichael noted that his work in commercials has informed his... Read More

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