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    Home » Motion Picture Academy Expands International Film Eligibility, Addresses AI In New Oscar Rules

    Motion Picture Academy Expands International Film Eligibility, Addresses AI In New Oscar Rules

    By SHOOTFriday, May 1, 2026No Comments7 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    An Oscar statue appears outside the Dolby Theatre for the 87th Academy Awards in Los Angeles on Feb. 21, 2015. (Photo by Matt Sayles/Invision/AP, File)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    The organization behind the Oscars is for the first time addressing the use of artificial intelligence in performances and scripts for the 2027 Academy Awards. The Academy of Motion Picture Arts and Sciences on Friday released updates across many categories, stressing the importance of human authorship while not banning AI.

    The new rules also include significant changes to the much-criticized international film category, expanding eligibility to include films that won top qualifying awards from prestigious film festivals like Cannes, Venice and Toronto.

    “As we do every year, we made a lot of, we think, really smart and progressive changes,” said film academy CEO Bill Kramer. “Obviously, as the academy becomes more global, we need to think about how we are inviting international films into the Oscars conversation.”

    AI and the Oscars
    As part of its annual review of Oscar eligibility rules, the academy is tackling one of the global filmmaking community’s biggest concerns: generative artificial intelligence.

    The new rules state that “the tools neither help nor harm the chances of achieving a nomination” and that the academy and each branch “will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.” They’re also reserving the right to request more information from the filmmaking team about the nature of the use of AI and “human authorship.”

    “Humans have to be at the center of the creative process,” said academy president Lynette Howell Taylor. “As AI continues to evolve, our conversations around AI will do so along with that. But for the academy, we are always going to put human authorship at the center of our awards eligibility process.”

    When it comes to the eligibility of performances, only roles “demonstrably performed by humans with their consent” will be considered. The organization declined to comment on whether the upcoming AI-rendered Val Kilmer performance would be eligible as the filmmakers have not yet submitted it for consideration.

    A likeness is not an actor, for one, but it might also depend on how Kilmer is credited in the film: As Val Kilmer or something else? One could also take Andy Serkis as Gollum as an example of a human collaborating with technology for the final performance.

    “We will review that on a case-by-case basis,” Kramer said. “We, like everybody in our industry and world, we will be assessing this every year.”

    There is less ambiguity in the screenplay categories, where the rules state that “screenplays must be human-authored to be eligible.”

    The film academy has often had to review its standards to meet the technological advances of the moment, whether it be sound, color or computer generated imagery (CGI).

    Sweeping changes to international film eligibility
    As its membership has grown much more international, there have been increasing calls for an overhaul to the international film category, which had been continually criticized as unjust, outdated and subject to political interference. That’s led to independent and dissident filmmakers often pointedly not being submitted to represent the country they’re from.

    Last year’s Palme d’Or-winner at Cannes, for instance, was “It Was Just an Accident,” from Iranian filmmaker Jafar Panahi, was not submitted as Iran’s official entry for the 98th Academy Awards, but France’s.

    Under the new rules, “It Was Just an Accident” could be considered eligible because it won the top Cannes prize and not because a country chose to submit it. In addition to the Palme d’Or at Cannes, the Golden Lion at Venice and the Platform award at Toronto, other festivals with eligible qualifying awards will also include the Berlin International Film Festival’s Golden Bear, the Busan International Film Festival’s best film award and the Sundance Film Festival’s World Cinema Grand Jury Prize.

    All the international films will also be credited as the nominee, not the country or region, and the award will be accepted by the filmmaker. The director’s name will also be listed on the Oscar plaque, “after the film title and country if applicable.”

    “That really reflects our desire to honor the film’s creative team. That is how we approach other categories,” Kramer said. “And as we become more global, as the filmmaking community becomes more global. I think it’s really about a focus on the filmmakers and less a focus of the country.”

    Actors can now be nominated for more than one award in a category
    The acting branch is catching up with the rest of the academy in allowing an actor to be nominated for more than one performance in a single category. If, say, this year’s best actor winner Michael B. Jordan has two extraordinary leading performances in two different films in 2026, he could possibly get two best actor nominations.

    This is standard practice in the other categories. In 2001, at the 73rd Oscars, Steven Soderbergh was nominated for best director for both “Traffic” and “Erin Brockovich,” winning the prize for the former.

    And about those original songs in the end credits
    The organization also clarified the eligibility of original songs used during a film’s end credits. For songs in which the first music cue plays over the end credits, that song must overlap with at least the film’s last 15 seconds before the credits roll in order to be considered eligible. This year’s original song winner, “Golden” was a key part of “KPop Demon Hunters” and used several times throughout the film.

    “We never stop looking at ways to improve our eligibility process,” Taylor said.

    Rundown of changes
    Here’s a summary and in some cases a recap of substantive rules changes for the 99th Academy Awards:

    –In the Acting category, actors may be nominated for multiple performances in the same category if those performances place in the top five votes, which aligns with achievements in other award categories.
    –Additionally, in the Acting category, only roles credited in the film’s legal billing and demonstrably performed by humans with their consent will be considered eligible.
    –In the Casting category, the number of statuettes awarded will increase from a maximum of two to a maximum of three statuettes.
    –In the Cinematography category, the preliminary voting round will produce a shortlist of 20 films rather than 10-20.
    –In the International Feature Film category, there are now two ways to submit a film for consideration. In addition to a film being submitted as an official selection by a country or region via the Academy-approved Selection Committees, a non-English language film can now be submitted for consideration by winning a qualifying award at an international film festival as specified in the International Feature Film Award Qualifying Festival List. Qualifying festivals for the 99th Oscars® are the Berlin International Film Festival (Golden Bear for Best Film), Busan International Film Festival (Busan Award – Best Film Award), Cannes Film Festival (Palme d’Or), Sundance Film Festival (World Cinema Grand Jury Prize), Toronto International Film Festival (Platform Award) and Venice International Film Festival (Golden Lion).
    –Additionally, in the International Feature Film category, the film will be credited as the nominee rather than the country or region, and the award will be accepted by the director on behalf of the film’s creative team. The director’s name will be listed on the statuette plaque after the film title and, if applicable, the country or region.
    –In the Makeup and Hairstyling category, Makeup Artists and Hairstylists Branch members must attend at least one of the two final branch meetings (roundtables) to be eligible to vote in the preliminary round.
    –In the Original Song category, the rules clarify a song’s eligibility when based on its placement in the end credits. For songs submitted as the first new music cue once the end credits begin, the video clip must include the last 15 seconds of the film before the credits begin.
    –In the Visual Effects category, all Academy members must view the three-minute Before and After reels from the Visual Effects Bake-Off to be eligible to vote in the final round.
    –In the Writing categories, the rules codify that screenplays must be human-authored to be eligible.
    –For Governors Awards recipients, a minimum of three disciplines must be represented in a given Awards year.
    –Under Eligibility (Rule Two) regarding Generative Artificial Intelligence, the Academy reserves the right to request more information about the nature of the use and human authorship.

    Awards submission deadlines and additional key dates are as follows:

    Thursday, August 13, 2026: First submission deadline for Animated Short Film, Documentary Feature Film, Documentary Short Film and Live Action Short Film categories

    Thursday, September 17, 2026: First submission deadline for General Entry categories, Animated Feature Film, Best Picture and Representation and Inclusion Standards Entry (RAISE) form

    Wednesday, September 30, 2026: Submission deadline for International Feature Film

    Thursday, October 8, 2026: Final submission deadline for Animated Short Film, Documentary Short Film and Live Action Short Film categories

    Wednesday, October 14, 2026: Submission deadline for Music (Original Song)

    Thursday, October 15, 2026: Final submission deadline for Documentary Feature Film

    Wednesday, November 4, 2026: Submission deadline for Music (Original Score)

    Thursday, November 12, 2026: Final submission deadline for General Entry categories, Animated Feature Film, Best Picture and Representation and Inclusion Standards Entry (RAISE) form

    January 8 – 10, 2027: Casting, Makeup and Hairstyling, Sound and Visual Effects voting events (bake-offs)

    The Academy also updated and clarified formatting and language in the campaign promotional regulations for the 99th Oscars. The campaign promotional regulations specify how motion picture companies and individuals directly associated with Oscars-eligible motion pictures may promote such motion pictures, achievements and performances to Academy members and how Academy members may promote Oscars-eligible motion pictures, achievements and performances.

    Substantive changes to the campaign promotional regulations include:

    –Screenings with Q&A sessions or panel discussions before nominations may now have up to two moderators instead of one moderator.
    –All eblasts and FYC calendar entries sent to Academy members via an Academy-approved mailing house from a motion picture company, individual associated with an eligible motion picture or Qualifying Film Festival must include an email address or phone number contact for inquiries regarding how members may request accessibility and disability needs or if the theater hosting the screening has proper accommodations.

    Awards Rules are formulated by the Awards Committee based on recommendations by Branch Executive Committees, the International Feature Film Executive Committee, and the Scientific and Technical Awards Executive Committee, and are subject to final approval by the Board of Governors.

    All rules, regulations and dates for the 99th Academy Awards are subject to change.

    You have limited-time access to this page, (Access is valid until: 2026-05-03)
    Category:News
    Tags:Academy of Motion Picture Arts and Sciencesartificial intelligenceOscars



    Oscar-Nominated Cinematographer Phedon Papamichael Settles Comfortably Into The Director’s Chair

    Thursday, April 30, 2026
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    Phedon Papamichael, ASC, GSC is perhaps best known as a cinematographer, underscored by a pair of Oscar nominations--one in 2014 for his lensing of Nebraska for director Alexander Payne; the other in 2021 for The Trial of the Chicago 7 from writer-director Aaron Sorkin. Papamichael also is a two-time BAFTA Film Award nominee for his shooting of Nebraska and director James Mangold’s Ford v. Ferrari. Still, in the midst of his ongoing, lauded cinematography--which includes an ASC Award nomination last year for Mangold’s A Complete Unknown--Papamichael not only has a track record as a director but is growing a bit deeper into that role, notably with work in commercials via IndependentMedia, the longstanding shop headed by executive producer Susanne Preissler. His recent directing endeavors on the ad front (which often include him shooting the work as well) span such brands and agencies as Cadillac for 72andSunny, Volkswagen for adam&eveDDB in London, Laughing Man Coffee for Red Tettemer O’Connell + Partners, Nescafe for Publicis, Mercedes-Benz out of Publicis Berlin, a client-direct project for Fuji, and Hyundai for the European and Asian markets. This adds to a body of directorial work for Papamichael over the years which includes his helming debut on the mystery-thriller The Sketch Artist starring Drew Barrymore, the psychological horror feature From Within, which premiered at the Tribeca Festival, Arcadia Lost starring Nick Nolte, and the short A Beautiful Day starring James Brolin. Papamichael also teamed with Harry Patramanis to direct the documentary Through Children’s Eyes. Papamichael noted that his work in commercials has informed his... Read More

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