Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » “The Devil Wears Prada 2” Opens In Style, Tops Box Office With $77 Million 

    “The Devil Wears Prada 2” Opens In Style, Tops Box Office With $77 Million 

    By SHOOTSunday, May 3, 2026No Comments90 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This image released by 20th Century Studios shows Meryl Streep, left, and Anne Hathaway in a scene from "The Devil Wears Prada 2." (Macall Polay/20th Century Studios via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    Twenty years after the original, the sequel to “The Devil Wears Prada” made a splash in its first weekend in theaters. Driven largely by women, “The Devil Wears Prada 2” earned $77 million in the U.S. and Canada, and $156.6 million internationally, according to studio estimates Sunday. It easily topped the box office and bumped “Michael” to second place, though the musical biopic held well in its second weekend, falling only 44%.

    The Walt Disney Co.’s 20th Century Studios opened “The Devil Wears Prada 2” in 4,150 locations in North America. Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends. Critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional “Runway” magazine in a much-depleted media landscape.

    The movie cost a reported $100 million to produce — a significant boost from the first movie’s $35 million production budget. But as filmmaker David Frankel told The Associated Press recently, “As it turns out, you know, by the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

    Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for the Prada-clad devil, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of “Vogue.”

    The first movie opened in June 2006 and would go on to earn over $326 million worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable likes (“gird your loins,” “groundbreaking,” “that’s all”). Legacy sequels are never a sure thing, but this time anticipation was high: According to Nielsen, streaming viewership for “The Devil Wears Prada” was up 428% from March 2026 to April 2026.

    Second place went to Lionsgate’s Michael Jackson biopic “Michael,” which made $54 million in its second weekend in North America, where it’s playing on 3,955 screens. Its running worldwide total is already $423.9 million. Universal Pictures is handling the international release.

    “This is on the great end of what we had speculated might happen, but we were very confident that we were going to have a great hold even with the assumption that ‘Prada’ would do a lot of business,” said Lionsgate Motion Picture Group chairman Adam Fogelson. “The conventional wisdom that a new giant movie can knock out a movie that has planted itself is constantly proven inaccurate.”

    This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and often accounts for around 40% of the annual box office. There are often Marvel blockbusters programmed as the season’s kickoff, but the combined power of “The Devil Wears Prada 2” and “Michael” wasn’t a shabby substitute.

    “This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

    “Prada” alone actually did better business than last year’s summer kickoff Marvel movie, “Thunderbolts.” There were several other new films in theaters this weekend as well, including the Adam Scott-led horror movie “Hokum,” Andy Serkis’s animated adaptation of “Animal Farm” and the Aaron Eckhart- and Ben Kingsley-led survival movie “Deep Water.”

    They all opened behind “The Super Mario Galaxy Movie,” which made $12.1 million in its fifth weekend, and “Project Hail Mary,” which made $8.6 million in its seventh weekend. Neon’s “Hokum” led the newcomers with $6.4 million, rounding out the top five, followed by the very poorly reviewed “Animal Farm” with $3.4 million. “Deep Water” opened to $2.2 million.

    In the top four movies, Dergarabedian has noticed a trend: “Over the past couple of months, moviegoers have really embraced pure, escapist entertainment,” he said.

    The annual box office is currently running about 14% up from last year, with about $2.8 billion in domestic ticket sales to date.

    Top 10 movies by domestic box office
    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “The Devil Wears Prada 2,” $77 million.

    2. “Michael,” $54 million.

    3. “The Super Mario Galaxy Movie,” $12.1 million.

    4. “Project Hail Mary,” $8.6 million.

    5. “Hokum,” $6.4 million.

    6. “Animal Farm,” $3.4 million.

    7. “Lee Cronin’s The Mummy,” $2.2 million.

    8. “Deep Water,” $2.2 million.

    9. “That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea,” $1 million.

    10. “The Drama,” $908,303.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2026-05-05)
    Category:News
    Tags:box officeThe Devil Wears Prada 2



    Gifted Youth Signs Comedy Director Carlyn Hudson For U.S. Commercial Representation

    Tuesday, May 19, 2026

    Comedy director Carlyn Hudson has joined Gifted Youth for commercial representation in the U.S.

    Hudson’s branded collaborations include campaigns for Tinder, JIF, e.l.f., Cheerios, Nike, Google, Jack in the Box, Amazon, OGX, and the New York Festival of Advertising. Her unapologetic spot for Annovera, starring Whitney Cummings, earned a Cannes Lion. Three of her short films have premiered at SXSW, including horror-comedy Waffle which was nominated for the SXSW Grand Jury Award and went on to appear at 50 additional festivals. Hudson is a member of the WGA and has developed features for Netflix, Hulu, and others.

    Originally from Texas, Hudson got her creative start in dance and theater, and later attended the Stella Adler School of Acting program at NYU, before transferring to the University of Texas at Austin for film school. After graduation, Hudson began working in Austin’s independent film community with Richard Linklater and Andrew Bujalski. She later moved to Los Angeles to work with Funny or Die and CollegeHumor, where she cut her teeth directing dozens of sketches and branded pieces, and honed her distinct comedic dialogue and world-building style. Hudson approaches comedy with total cinematic conviction. Her films and campaigns find the absurd buried inside the ordinary, creating a disquietingly funny vision that’s entirely her own.

    “Carlyn’s work is both hilarious and human,” said Josh Morse, executive producer, Gifted Youth. “She’s able to establish realness and relatability, instantly drawing you in. We’re immensely happy to welcome her to our roster.”

    “I’m very excited to be in the company of my fellow Gifted Youth directors, and to work with Josh and the rest of the production team,” said... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleMotion Picture Academy Expands International Film Eligibility, Addresses AI In New Oscar Rules
    Next Article What to Stream: “The Drama,” “Remarkably Bright Creatures,” Sam Raimi’s “Send Help,” and The Limited Series “Amadeus”
    SHOOT

    Add A Comment
    What's Hot

    “All of a Sudden”–Ryusuke Hamaguchi’s Gentle, Quiet, Long Film–Might Win The Palme d’Or

    Tuesday, May 19, 2026

    Gifted Youth Signs Comedy Director Carlyn Hudson For U.S. Commercial Representation

    Tuesday, May 19, 2026

    Review: Director Jon Favreau’s “Star Wars: The Mandalorian and Grogu”

    Tuesday, May 19, 2026
    Shoot Screenwork

    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of…

    The Best Work You May Never See: Fela Director William Ukoh Puts Light Into Motion For Gantri

    Tuesday, May 19, 2026

    Francois Rousselet Directs The Rolling Stones’ “In The Stars”

    Monday, May 18, 2026

    Rady Children’s Health, SMALL NY, Director Benjamin Nicolas “Dare To Dream”

    Friday, May 15, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.