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    Home » Cinema Audio Society Nominations For The 55th Annual CAS Awards For Outstanding Achievement In Sound Mixing For 2018

    Cinema Audio Society Nominations For The 55th Annual CAS Awards For Outstanding Achievement In Sound Mixing For 2018

    By SPWTuesday, January 8, 2019Updated:Tuesday, May 14, 20241 Comment4359 Views
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    The Awards will be presented at a sealed envelope dinner on February 16h in the Wilshire Grand Ballroom of the InterContinental Los Angeles Downtown. During the awards the highest honor of the CAS, the CAS Career Achievement Award, will be presented to Production Sound Mixer Lee Orloff, CAS, the CAS Filmmaker Award will be presented to Steven Spielberg.
    LOS ANGELES -- (SPW) --

    The Cinema Audio Society announces the nominees for the 55th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2018 in seven categories.  Also announcing the Outstanding Product Nominations.

     “It is always my distinct pleasure to congratulate our colleagues on their stellar work," said CAS President Mark Ulano.  "This year the creativity of our community is front and center with exceptional projects that represent the finest in sound mixing for 2018”. 

    NOMINATIONS FOR THE 55th CAS AWARDS FOR OUTSTANDING ACHIEVEMENT IN SOUND MIXING FOR 2018
     
    MOTION PICTURE – LIVE ACTION

    A Quiet Place

    Production Mixer – Michael Barosky
    Re-recording Mixer – Brandon Proctor
    Re-recording Mixer – Michael Barry, CAS
    Scoring Mixer – Tyson Lozensky
    ADR Mixer – Bob Lacivita
    Foley Mixer – Peter Persuad, CAS 

    A Star is Born

    Production Mixer – Steven A. Morrow, CAS
    Re-recording Mixer – Tom Ozanich
    Re-recording Mixer – Dean Zupancic
    Scoring Mixer – Jason Ruder
    ADR Mixer – Thomas O’Connell
    Foley Mixers – Richard Duarte

    Black Panther

    Production Mixer – Peter Devlin, CAS
    Re-recording Mixer – Steven Boeddeker
    Re-recording Mixer – Brandon Proctor
    Scoring Mixer – Christopher Fogel, CAS
    ADR Mixer – Doc Kane, CAS
    Foley Mixer – Scott Curtis

    Bohemian Rhapsody

    Production Mixer – John Casali
    Re-recording Mixer – Paul Massey
    Re-recording Mixer – Tim Cavagin
    Re-recording Mixer – Niv Adiri, CAS

    First Man

    Production Mixer – Mary H. Ellis, CAS
    Re-recording Mixer – Jon Taylor, CAS
    Re-recording Mixer – Frank A. Montaño
    Scoring Mixer – Ai-Ling Lee, CAS
    ADR Mixer – Thomas J. O’Connell
    Foley Mixer – Richard Duarte

    MOTION PICTURE – ANIMATED

    Incredibles 2

    Original Dialogue Mixer – Vince Caro, CAS
    Re-recording Mixer – Michael Semanick, CAS
    Re-recording Mixer – Nathan Nance
    Scoring Mixer – Joel Iwataki
    Foley Mixer – Scott Curtis

    Isle of Dogs

    Original Dialogue Mixer – Darrin Moore
    Re-recording Mixer – Christopher Scarabosio
    Re-recording Mixer – Wayne Lemmer
    Scoring Mixer – Xavier Forcioli
    Scoring Mixer – Simon Rhodes
    Foley Mixer – Peter Persaud, CAS

    Ralph Breaks the Internet

    Original Dialogue Mixer / Re-recording Mixer – Gabriel Guy, CAS
    Re-recording Mixer – David E. Fluhr, CAS
    Re-recording Mixer – Alan Meyerson, CAS
    ADR Mixer – Doc Kane, CAS
    Foley Mixer – Scott Curtis

    Spider-Man: Into the Spider-Verse

    Original Dialogue Mixers – Brian Smith, Aaron Hasson, Howard London, CAS
    Re-recording Mixer – Michael Semanick, CAS
    Re-recording Mixer – Tony Lamberti, CAS
    Scoring Mixer – Sam Okell
    Foley Mixer – Randy K. Singer, CAS

    The Grinch

    Original Dialogue Mixer – Michael Miller, CAS
    Re-recording Mixer – Gary A. Rizzo, CAS
    Re-recording Mixer – Juan Peralta
    Scoring Mixer – Noah Scot Snyder
    Foley Mixer – Blake Collins, CAS

    MOTION PICTURE – DOCUMENTARY

     Fahrenheit 11/9

    Production Mixer – Mark Ray
    Re-recording Mixer – Andy Kris
    Re-recording Mixer – Lee Salevan
    Re-recording Mixer – Skip Lievsay, CAS

    Free Solo

    Production Mixer – Jim Hurst
    Re-recording Mixer – Tom Fleischman, CAS
    Re-recording Mixer – Ric Schnupp
    Scoring Mixer – Tyson Lozensky
    ADR Mixer – David Boulton
    Foley Mixer – Joana Niza Braga

    Quincy

    Production Mixer – Al Hicks
    Re-recording Mixer – Jonathan Wales, CAS

    They’ll Love Me When I’m Dead

    Production Mixer – Rob Filmore, CAS
    Re-recording Mixer – Brian Riordan, CAS

    Won’t You Be My Neighbor?

    Re-recording Mixer – Pete Horner
    Re-recording Mixer – Jeff King

    TELEVISION SERIES – 1 HOUR

    Better Call Saul: Talk

    Production Mixer – Phillip W. Palmer, CAS
    Re-recording Mixer – Larry B. Benjamin, CAS
    Re-recording Mixer – Kevin Valentine
    ADR Mixer – Chris Navarro, CAS
    Foley Mixer – Stacey Michaels

    Ozark: The Badger

    Production Mixer – Felipe Borrero, CAS
    Re-recording Mixer – Larry B. Benjamin, CAS
    Re-recording Mixer – Kevin Valentine
    Scoring Mixer – Phillip McGowan, CAS
    ADR Mixer – Matt Hovland
    Foley Mixer – David Torres, CAS

    The Handmaid’s Tale: Holly

    Production Mixer – Sylvain Arseneault, CAS
    Re-recording Mixer – Lou Solakofski
    Re-recording Mixer – Joe Morrow
    Scoring Mixer – Adam Taylor
    ADR Mixer – Mark DeSimone, CAS
    Foley Mixer – Jack Heeren

    The Marvelous Mrs. Maisel: Vote for Kennedy, Vote for Kennedy

    Production Mixer – Mathew Price, CAS
    Re-recording Mixer – Ron Bochar, CAS
    Re-recording Mixer – Michael Miller, CAS
    ADR Mixer – David Boulton
    Foley Mixer – Steven Visscher

    Westworld: The Passenger

    Production Mixers – Geoffrey Patterson, CAS, Roger V. Stevenson, CAS
    Re-recording Mixer – Keith Rogers, CAS
    Re-recording Mixer – Andy King, CAS
    ADR Mixer – Michael Botha
    Foley Mixer – Michael Head

    TELEVISION SERIES – 1/2 HOUR

    Ballers: The Kids Are Alright

    Production Mixer – Scott Harber, CAS
    Re-recording Mixer – Michael Colomby, CAS
    Re-recording Mixer – Richard Weingart, CAS
    ADR Mixer – Michael Miller, CAS
    Foley Mixer – James Howe

    Barry: Chapter Seven: Loud, Fast, and Keep Going

    Production Mixer – Benjamin A. Patrick, CAS
    Re-recording Mixer – Elmo Ponsdomenech, CAS
    Re-recording Mixer – Todd Beckett, CAS
    Scoring Mixer – David Wingo
    ADR Mixer – Aaron Hasson
    Foley Mixer – John Sanacore, CAS

    Modern Family: Did the Chicken Cross the Road?

    Production Mixer – Stephen A. Tibbo, CAS
    Re-recording Mixer – Dean Okrand, CAS
    Re-recording Mixer – Brian R. Harman, CAS
    ADR Mixer – Matt Hovland
    Foley Mixer – David Torres, CAS

    Mozart in the Jungle: Domo Arigato

    Production Mixer – Ryotaro Harada
    Re-recording Mixer – Andy D’Addario
    Re-recording Mixer – Chris Jacobson, CAS
    ADR Mixer – Patrick Christensen
    Foley Mixer – Gary DeLeone

    Silicon Valley: Fifty-One Percent

    Production Mixer – Benjamin A. Patrick, CAS
    Re-recording Mixer – Elmo Ponsdomenech, CAS
    Re-recording Mixer – Todd Beckett, CAS
    Scoring Mixer – Oren Hadar
    ADR Mixer – Aaron Hasson
    Foley Mixer – Aran Tanchum

    TELEVISION MOVIE or LIMITED SERIES

    American Crime Story: The Assassination of Gianni Versace (Part 1) The Man Who Would Be Vogue

    Production Mixer – John Bauman, CAS
    Re-recording Mixer – Joe Earle, CAS
    Re-recording Mixer – Doug Andham, CAS
    ADR Mixer – Judah Getz, CAS
    Foley Mixer – Arno Stephanian

    Escape at Dannemore: Episode 101

    Production Mixer – Thomas Nelson, CAS
    Re-recording Mixer – Bob Chefalas
    Re-recording Mixer – Jacob Ribicoff
    Scoring Mixer – John Chapman
    ADR Mixer – Kris Chevannes
    Foley Mixer – George Lara

    Fahrenheit 451

    Production Mixer – Henry Embry, CAS
    Re-recording Mixer – Tom Fleischman, CAS
    Re-recording Mixer – Jacob Ribicoff
    ADR Mixer – Mark DeSimone, CAS
    Foley Mixer – George A. Lara, CAS

    Genius: Picasso “Chapter 1”

    Production Mixer – Tamás Csaba, CAS
    Re-recording Mixer – Bob Bronow, CAS
    Re-recording Mixer – Mark Hensley
    ADR Mixer – Beau Emory
    ADR Mixer – Matt Hovland

    The Romanoffs: House of Special Purpose

    Production Mixer – Mark Weber, CAS
    Re-recording Mixer – Larry Benjamin, CAS
    Re-recording Mixer – Kevin Valentine
    ADR Mixer – Chris Navarro, CAS
    ADR Mixer – Michael Miller, CAS
    Foley Mixer – David Jobe, CAS

    TELEVISION NON-FICTION, VARIETY or MUSIC SERIES or SPECIALS

    Anthony Bourdain: Parts Unknown (Bhutan)

    Re-Recording Mixer – Benny Mouthon, CAS

    Carpool Karaoke: Primetime Special 2018

    Production Mixer – William B. Kaplan, CAS
    Production Mixer – Scott Smolev
    Production Mixer – Tim Murphy
    Foldback Mixer – Chris Maddalone
    Scoring Mixer – Otto Svoboda

    Deadliest Catch: Last Damn Arctic Storm

    Re-Recording Mixer – Bob Bronow, CAS

    Jesus Christ Superstar Live in Concert

    Production Mixer – Tom Holmes
    Re-recording Mixer – Brian Flanzbaum
    Re-recording Mixer – Christian Schrader
    Re-Recording Mixer – Ellen Fitton
    Scoring Mixer – John Harris
    ADR Mixer – Anthony Lalumia

    The Late Show with Stephen Colbert

    Production Mixer – Pierre DeLaforcade
    FoH Mixer – Tom Herman
    Monitor Mixer – Al Bonomo
    Scoring Mixer – Harvey Goldberg

    OUTSTANDING PRODUCT – PRODUCTION

    Aaton: Cantaress

    Dan Dugan Sound Design: Dugan Automixing in Sound Devices 633 Compact Mixer

    Denecke, Inc.: JB-1 Compact Timecode Generator

    Lectrosonics: SMWB Series Wideband Transmitter

    Sound Devices: A10 Digital Wireless System

    OUTSTANDING PRODUCT – POST PRODUCTION

    Audionamix: IDC (Instant Dialog Cleaner)

    Exponential Audio: Stratus 3D and Symphony 3D Reverbs 

    iZotope, Inc.:  RX 7

    Sound Particles:  Doppler + Air

    Todd-AO: Absentia DX

    Final balloting for Outstanding Sound Mixing and Outstanding Products will open online Thursday, January 24 and end Wednesday, February 6 at 5pm PST.

    The Awards will be presented at a sealed envelope dinner on February 16h in the Wilshire Grand Ballroom of the InterContinental Los Angeles Downtown. During the awards the highest honor of the CAS, the CAS Career Achievement Award, will be presented to Production Sound Mixer Lee Orloff, CAS, the CAS Filmmaker Award will be presented to Steven Spielberg.  The Student Recognition Award winner will also be named.

    On the evening of the Awards the Cinema Audio Society website will be updated in real time as the winners are announced.

    About the Cinema Audio Society
    The Cinema Audio Society was formed in 1964 for the purpose of sharing information with Sound Professionals in the Motion Picture and Television Industry.

    The objectives of the CAS are: to educate and inform the general public and the motion picture & television industry that effective sound is achieved by a creative, artistic and technical blending of diverse sound elements; to provide the motion picture & television industry with a progressive society of master craftsmen specialized in the art of creative cinematic sound recording; to advance the specialized field of cinematic sound recording by exchange of ideas, methods, and information; to advance the art of auditory appreciation, and to philanthropically support those causes dedicated to the sense of hearing; to institute and maintain high standards of conduct and craftsmanship among our members; to aid the motion picture & television industry in the selection and training of qualified personnel in the unique field of cinematic sound recording and to achieve for our members deserved recognition as major contributors to the field of motion picture & television entertainment.
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    www.cinemaaudiosociety.org

    Dorothea Sargent
    CCAS
    (818) 786-4744
    Contact via email
    Tags:Sound MixingThe Road To OscarCAS AwardsCinema Audio Society



    Boris FX Continuum Pairs AI Precision and Advanced Creative Controls

    Thursday, May 14, 2026
    Boris FX Continuum 2026.5

    Boris FX Continuum, the acclaimed visual effects plugin collection, introduces its 2026.5 release. The latest version of the Emmy Award-winning software delivers a new AI deinterlace tool, four updated AI models, a new compositing workflow in the FX Editor, overhauled warp and displacement effects, upgraded wipe transitions, and greater creative control in Particle Illusion. “As we continue to leverage internal AI technology to build new tools, we always keep the needs of Continuum’s editors, artists, and content creators at the forefront,” states Boris Yamnitsky, CEO and Founder of Boris FX. “We carefully choose which types of tasks benefit from AI workflows, such as image restoration and masking. Accordingly, the 2026.5 release adds a new deinterlace tool that uses AI to instantly transform archival, analog footage into progressive-scan frames and also includes more accurate models on our popular face segmentation and license plate masking tools, as well as our motion blur and up-res effects.” AI Tools Continuum’s AI-assisted capabilities grow with a new image restoration effect, updated masking, motion blur, and upres models, and additional flexibility.

    • BCC+ Deinterlace ML: Automatically, precisely converts interlaced video, including analog TV, VHS tapes, etc., into progressive-scan frames.
    • Updated AI Models: Improved accuracy on Face ML, License Plate ML, Motion Blur ML, and UpRes ML.
    • BCC+ Face ML: Adds new nose and neck segmentation.
    • BCC+ Motion Blur ML: Adds a prismatic colored blur trails feature.
    Continuum 2026.5 also features a new ML/AI model unload system. If an ML model isn’t... Read More

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