The commercial begins with a series of people having homey and happy moments with a large egg. It goes on family vacations, and is carried along the beach by children, tags along for piano lessons, goes on car trips, splashes around in pools, and gets bedtime stories. After several of these playful family scenes, a narrator explains that "there is a better way to care for your nest egg, with objective financial advice by A.G. Edwards." In the concluding screen, an animated egg falls onto the A.G. Edwards logo and is cushioned by it.
Agency: Carmichael Lynch Peter McHugh, chief creative officer; Tom Camp, creative director/copywriter; Jason Smith, art director; Lisa Norman, producer. Production Company: Park Pictures Lance Acord, director/DP; Jackie Kelman Bisbee, executive director; Deannie O’Neil, line producer. Shot on location in Los Angeles. Editorial: Spot Welders Inc. Eric Zumbrunnen, editor (He has since joined Final Cut, Santa Monica); David Glean, executive producer. Postproduction: Company 3 Los Angeles Stefan Sonnenfeld, colorist; Missy Papageorge, producer. Visual Effects: Digital Domain, Inc. Fred Raimondi, visual effects supervisor; Lisa Beroud, producer. Music: Mit Out Sound/M.O.S. Ren Klyce, composer; Misa Kageyama, executive producer. Audio: Lime Studios Loren Silber, mixer
The Best Work You May Never See: Director Harold Einstein, DDB Paris Diagnose “Decidophobia” For VW France
Directed by Harold Einstein, this spot from DDB Paris for Volkswagen France tells the story of Maxime, a kind and endearing man suffering from an imaginary syndrome: “decidophobia”--in other words, a chronic inability to make choices. Since childhood--whether it’s picking a card during a magic trick at his birthday party, choosing a dish in the cafeteria, or deciding who to pass the ball to on a soccer field--Maxime has been unable to decide. This difficulty triggers such intense panic that he loses consciousness, eventually leading him to seek therapy. The films portray his daily life with humor, finesse, and subtlety, until Volkswagen enters his life.
Surprisingly, with Volkswagen, Maxime doesn’t faint. He manages to make a choice. Why? Because a Volkswagen is an easy choice, an obvious one. The brand becomes the unexpected yet reassuring solution to his problem--and likely to that of thousands of people facing hesitation when choosing their next vehicle in a market disrupted by new models, emerging brands, and evolving engine technologies.
Einstein directed “Maxime’s Saga” via Paris-based production company Grand Bazar. He maintains his own studio, Dummy, in the U.S.
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