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    Home » Human Takes 2017 AMP Awards Best in Show for Adidas Originals Adaptation of “My Way”

    Human Takes 2017 AMP Awards Best in Show for Adidas Originals Adaptation of “My Way”

    By SPWTuesday, May 23, 2017Updated:Tuesday, May 14, 2024No Comments9707 Views
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    Human, the New York and L.A.-based music and sound studio, took home the Best in Show at the 5th Annual AMP Awards for Music and Sound tonight. The winning entry was an Adidas ad titled “Original is Never Finished,” created by the agency Johannes Leonardo. See the work below.

    Company wins for Outstanding Adaptation and Best Execution of a Sonic Logo/ID, while Antfood wins in new Experiential and Innovative Process categories, as advertising music industry competition celebrates its 5th anniversary.

    NEW YORK -- (SPW) --

    They did it ‘their way,’ and the results speak for themselves. Human, the New York and L.A.-based music and sound studio, took home the Best in Show at the 5th Annual AMP Awards for Music and Sound tonight. The winning entry was an Adidas ad titled “Original is Never Finished,” created by the agency Johannes Leonardo. It features an adapted version of the song made famous by Frank Sinatra, “My Way.”

    The awards were presented at a gala celebration held at the Diamond Horseshoe, the eclectic event space housed at the legendary Paramount Hotel in midtown Manhattan. The event also saw Mars, Inc., being inducted into the AMP Hall of Fame in recognition of its legacy of using music to define its brands’ identity.

    Human’s Best in Show winner was also the winner in the Outstanding Adaptation/Arrangement (All Media Platforms) category. It was one of two winners for Human at the show; the studio also won for its work for National Geographic in the category of Best Execution of a Sonic Logo/ID.

    The Adidas Originals spot which earned Best in Show status features a hard-edged, hip-hop-styled adaptation of the 1969 Sinatra hit, with snippets of Old Blue Eyes’ version interspersed with more gritty, updated segments. (“My Way,” which features lyrics by Paul Anka, is itself an adaptation of the French pop hit “Comme d’habitude,” written by Claude François and Jacques Revaux, with lyrics by François and Gilles Thibaut.) Human’s James Leibow and Morgan Visconti did the arrangement, with the studio’s Michael Jurasits serving as co-creative lead with Visconti. It was produced for Human by Executive Producer James Wells.

    Antfood, the Brooklyn-based music and sound design studio, won both its awards for a single project: “Hieratic Gaze,” an ambitious experiential installation for the technology company HP. It won in the awards competition’s two new categories: Best Use of Music and Sound in Experiential / Events and Most Innovative Process & Execution. The latter category is designed to honor work that demanded a complex production scenario to execute. “Hieratic Gaze” was part of an immersive experience staged in a 360-degree dome erected at the Panorama Music Festival in New York in 2016.

    This was the first year the AMP Awards tapped a Curatorial Committee of top agency creatives and music producers to review its judging results and select the Best in Show winner from the category winners across the breadth of the competition. The committee was led by AMP Awards Chair Susan Credle, Global Chief Creative Officer of FCB.

    Commenting on the show’s top winner, Credle noted that “there was quite a lot of talk about the Best in Show. I say this because it’s important to know that this talented, extremely well-curated jury put a lot of thought into the decision. First, the visceral power of the music against the film was obvious. But then the conversation went to the degree of difficulty in the sound design, the musical choices and the mix. Hearing experts talk about this tremendous effort – which, on first viewing, feels effortless – was the deciding factor. The best work should never feel like work at all.”

    Two categories ended up in ties: Best Use of a Licensed Pre-Existing Song, which was shared by work from peermusic for Apple and Beta Petrol for Sandy Hook Promise, and Outstanding Mix, which was shared by work for Under Amour from Sonic Union and Hennessy from Sound Lounge. To view all the winners, go to http://www.awardcore.com/amp/winners/. The complete list, at bottom of page, of AMP Award winners includes:

    • Best Original Song (Commercial, All Media Platforms) goes to COPILOT Music + Sound for “Nuka World Official Trailer” for Bethesda Softworks.
    • Best Original Score (Commercial, All Media Platforms) goes to Jeremy Yang for “AICP 2016 Titles” for AICP.
    • Outstanding Adaptation/Arrangement (All Media Platforms) goes to Human for “Original is Never Finished” for Adidas Originals.
    • Best Use of a Licensed Pre-Existing Song (All Media Platforms) (Tie) goes to peermusic for “Dive” for Apple and to Beta Petrol for “Evan” for Sandy Hook Promise.
    • Best Sound Design (Commercial, Any Media Platform) goes to Future Perfect for “Enjoy the Chase” for Nike Golf.
    • Most Effective Use of Music in a Campaign (All Media Platforms) goes to Droga5 for “Google Pixel – Made by Google” for Google.
    • Best Use of Music for a Film, TV or Game Promo / Trailer goes to ABKCO Music & Records for “Kong: Skull Island – Official Trailer” for “Kong: Skull Island.”
    • Best Use of Music and Sound in VR / 360° Marketing goes to Pollen Music Group for “Pearl” for Google/ATAP.
    • Best Use of Music and Sound in Experiential / Events goes to Antfood for “Hieratic Gaze” for HP.
    • Most Innovative Process & Execution goes to Antfood for “Hieratic Gaze” for HP.
    • Best Band+Brand Partnership goes to Yessian Music for “Cord” for Lincoln.
    • Outstanding Mix (Commercial, All Media Platforms) (Tie) goes to Sonic Union for “Make That Old” for Under Armour and to Sound Lounge for “The Piccards” for Hennessy.
    • Best Execution of a Sonic Logo / ID (All Media Platforms) goes to Human for “National Geographic Mnemonic and Brand Anthem” for National Geographic.
    • Excellence in Radio goes to Sticky Audio Labs for “Maestro” for Mountain Dew.

    The Hall of Fame induction for Mars, Inc., was presented by Matt Miller, CEO of AICP. Accepting for the marketer was John Starkey, Vice President of Gum and Mints at Mars Wrigley. An historical reel of Mars work featuring music both original and licensed for such brands as M&M®, SNICKERS®, TWIX®, MILKY WAY® and many others accompanied the presentation.

    The show opened with a comic animated short that touches on concepts like Artificial Intelligence and the role of technology in the music business. Created by the New York visual effects and design boutique BUCK, it features music from our multi-award winner Antfood.

    The AMP Awards wouldn’t be the AMP Awards without live music, and this year was no exception. After the trophies were handed out, the indie rock band The Dig, published by and appearing courtesy of The Bicycle Music Company and signed to Roll Call Records, took the stage at the Diamond Horseshoe. They were followed by a set from Hang the DJ, which consists of industry insiders Francis Garcia and Charlie Davis. When they’re not DJ’ing, Garcia is Chief Creative Officer of Shout It Out Loud Music, and Davis is the Senior Director of Marketing and Commercials at BMG.

    The AMP Awards is the only juried advertising contest to focus on the unique contributions made to the industry by creators and producers of music and sound. This year’s awards marked the 20th Anniversary of the founding of its sponsoring organization, the Association of Music Producers, which was founded in 1997 to promote the work of advertising’s music and sound companies and audio mixing and recording facilities.

    Gold sponsors for the 2017 AMP Awards included Disco, Buck, SHOOT and Source Creative. Contributing sponsors included FCB, Grey New York, Imagem, Kobalt Music, Kontent Core, Razor & Tie, Sugaroo!, Veritonic and Manage Ad Music.

    Complete List 2017 AMP Awards Winners

    To view the winners, go to: http://www.awardcore.com/amp/winners/.

    BEST IN SHOW

    Brand: Adidas Originals

    Title: Original is Never Finished

    Creator (Composer, Artist, Sound Designer): James Leibow/Morgan Visconti/Michael Jurasits

    Adapted Song: “My Way”

    Music Production Company: Human

    Entered by Human

    BEST ORIGINAL SONG (COMMERCIAL, ALL MEDIA PLATFORMS)

    Brand: Bethesda Softworks

    Title: Nuka World Official Trailer

    Creator (Composer, Artist, Sound Designer): Garrett Steele/Ravi Krishnaswami

    Music Production Company: COPILOT Music + Sound

    Entered by COPILOT Music + Sound

    BEST ORIGINAL SCORE (COMMERCIAL, ALL MEDIA PLATFORMS)

    Brand: AICP

    Title: AICP 2016 Titles

    Creator (Composer, Artist, Sound Designer): Jeremy Yang

    Music Production Company: Jeremy Yang

    Entered by Jeremy Yang

    OUTSTANDING ADAPTATION/ARRANGEMENT (ALL MEDIA PLATFORMS)

    Brand: Adidas Originals

    Title: Original is Never Finished

    Creator (Composer, Artist, Sound Designer): James Leibow/Morgan Visconti/Michael Jurasits

    Adapted Song: “My Way”

    Music Production Company: Human

    Entered by Human

    BEST USE OF LICENSED PRE-EXISITING SONG (ALL MEDIA PLATFORMS) (TIE)

    Brand: Apple

    Title: Dive

    Song: “La Virgen de la Macarena”

    Creator (Composer, Artist, Sound Designer): Arturo Sandoval

    Entered by peermusic

     

    Brand: Sandy Hook Promise

    Title: Evan

    Song: “Johnny Met June”

    Creator (Composer, Artist, Sound Designer): Shelby Lynne

    Music Production Company: Beta Petrol

    Entered by Beta Petrol

    BEST SOUND DESIGN (COMMERCIAL, ANY MEDIA PLATFORM)

    Brand: Nike Golf

    Title: Enjoy the Chase

    Creator (Composer, Artist, Sound Designer): Andy Huckvale

    Music Production Company: Future Perfect

    Entered by Future Perfect

    MOST EFFECTIVE USE OF MUSIC IN A CAMPAIGN (ALL MEDIA PLATFORMS)

    Brand: Google

    Title: Google Pixel – Made by Google

    Song: “Nothing Compares 2 U”

    Creator (Composer, Artist, Sound Designer): Prince (composer); Sampha, Brandi Carlile, John McCauley, Jenn Wasner (Artists)

    Music Supervisors: Mike Ladman/Ryan Barkan

    Song: “Am I Wrong”

    Creator (Composer, Artist, Sound Designer): Anderson .Paak

    Publishers:  Bleed 101, Ultra Music

    Music Supervisors: Mike Ladman/Ryan Barkan

    Song: “Just the Two of Us

    Creator (Composer, Artist, Sound Designer): Bill Withers (Artist)

    Music Production Company: Squeak E Clean

    Music Supervisors: Mike Ladman/Ryan Barkan

    Entered by Droga5

    BEST USE OF MUSIC FOR A FILM, TV, OR GAME PROMO / TRAILER

    Brand Kong: Skull Island

    Title: Kong: Skull Island – Official Trailer

    Creator (Composer, Artist, Sound Designer): The Animals

    Entered by ABKCO Music & Records

    BEST USE OF MUSIC AND SOUND IN VR/360° MARKETING

    Brand: Google/ATAP

    Title: Pearl

    Creator (Composer, Artist, Sound Designer): Alexis Harte/J.J. Wiesler

    Music Production Company: Pollen Music Group

    Entered by Pollen Music Group

    BEST USE OF MUSIC AND SOUND IN EXPERIENTIAL / EVENTS

    Brand: HP

    Title: Hieratic Gaze

    Creator (Composer, Artist, Sound Designer): Antfood

    Music Production Company: Antfood

    Entered by Antfood

    MOST INNOVATIVE PROCESS & EXECUTION

    Brand: HP

    Title: Hieratic Gaze

    Creator (Composer, Artist, Sound Designer): Antfood

    Music Production Company: Antfood

    Entered by Antfood

    BEST BAND+BRAND PARTNERSHIP

    Brand: Lincoln

    Title: Cord

    Music Production Company: Yessian Music

    Entered by Yessian Music

    OUTSTANDING MIX (COMMERCIAL, ALL MEDIA PLATFORMS) (TIE)

    Brand: Under Armour

    Title: Make That Old

    Creator (Composer, Artist, Sound Designer): Steve Rosen

    Audio Post Company: Sonic Union

    Entered by: Sonic Union

     

    Brand: Hennessy

    Title: The Piccards

    Creator (Composer, Artist, Sound Designer): Tom Jucarone/Rob Sayers

    Audio Post Company: Sound Lounge

    Entered by_ Sound Lounge

    BEST EXECUTION OF A SONIC LOGO / ID (ALL MEDIA PLATFORMS)

    Brand: National Geographic

    Title: National Geographic Mnemonic and Brand Anthem

    Creator (Composer, Artist, Sound Designer): Matthew O'Malley/Elmer Bernstein

    Music Production Company: Human

    Entered by: Human

    EXCELLENCE IN RADIO

    Brand: Mountain Dew

    Title: Maestro

    Creator (Composer, Artist, Sound Designer): Doug Stoley/Dave Riviera

    Music Production Company: Sticky Audio Labs

    Entered by Sticky Audio Labs

    About AMP
    The Association of Music Producers was founded in 1997 for the purpose of educating its members, as well as the production, advertising and media communities, on all facets of music production, from creation to final use. A national organization, it has chapters in New York and Los Angeles and member representation in cities across the country. From business matters such as production guidelines, composer royalties and music rights agreements to educational seminars, fund-raising events and the industry’s most respected celebration of excellence – The AMP Awards – AMP has turned up the volume on the things that matter most. http://ampnow.com

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    Anthony Vagnoni
    avagnoni communications
    (973) 403-9815
    Contact via email
    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:The Association of Music ProducersAMP Awards



    NYF Advertising Awards Extends Entry Deadline To May 8; Executive Jury Shares Insights on What Defines Effective Work

    Monday, April 27, 2026
    NYF Advertising Awards Extends Deadline Until May 8th!

    New York Festivals Advertising Awards has extended its to May 8, 2026, as momentum builds ahead of Executive Jury judging. Leading up to judging, members of the 2026 Creative Marketing Strategy / Effectiveness Executive Jury, 11 respected strategy leaders from global agencies, are sharing perspectives on what defines impactful, results-driven work. Led by Ellie Bamford, Chief Strategy Officer, North America at VML, the jury will review shortlisted Creative Effectiveness entries selected by NYF’s Shortlist Jury, identifying work that demonstrates the power of insight-driven strategy and creative execution to deliver measurable business results. Several prominent jurors recently shared their viewpoints in conversations with Branding in Asia, offering an insider look at the thinking shaping this year’s evaluation process. Representing a global cross-section of strategic leadership, their perspectives highlight the standards that distinguish truly effective work. “As a juror, I will be looking for work that is unmistakably clear in its intent and genuinely original in its execution, ideas that feel inevitable once you see them, but surprising before you do,” said Takaya Hoshi, Chief Strategy Officer at Dentsu Japan. “I’m drawn to communication people can genuinely empathize with—work that doesn’t just communicate but connects so it resonates.” “I’m excited to judge the Creative Effectiveness and Strategy category,” said Jasmine Dadlani, Chief Strategy Officer at McKinney. “A... Read More

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