• Thursday, Feb. 28, 2019
Man Made Music adds John Taite as EVP, global business development & partnerships
John Taite
NEW YORK -- 

Global sonic studio Man Made Music has appointed John Taite as EVP, global business development & partnerships. He is responsible for leading revenue growth globally, communicating Man Made Music’s philosophy, values, and innovations, as well as establishing new partnerships and driving strategic initiatives. He is also helping the company’s marketing efforts worldwide. Taite will report to the company’s president, Lauren McGuire.

Prior to joining Man Made Music, Taite served as VP, branded content and partnerships at BBC America in New York. There, he was responsible for leading an award-winning team dedicated to compelling and innovative brand stories for AT&T, Verizon, Google, Apple, Amazon, Mercedes-Benz, Subaru, and BMW, among others. Taite also previously served as VP of Programming (EMEA) for BBC Worldwide in London. Prior to that role, he led programming and acquisitions for Viacom’s MTV & VH1 channels in the UK. He is a member of the British Academy of Film & Television, the American Television Academy, and is a regular DJ at MoMA and the Guggenheim Museum.

“John is an uncommon executive whose success comes from a clear love for creativity, client partnerships, and inspiring teams,” said Man Made Music’s founder Joel Beckerman.

“At a time when brands need to form deeper, more meaningful relationships with their customers and audiences, Man Made Music offers powerful solutions that connect on an emotional level and actually make you feel something,” Taite said. “I can’t imagine a more exciting next step than joining the team in a role that combines my passion for storytelling and innovation with their ability to transform people’s lives through sound and technology.”

  • Wednesday, Feb. 27, 2019
BMG Production Music promotes UK execs to global roles
Alex Marchant
LONDON -- 

BMG Production Music (BMGPM) has promoted UK executives Alex Marchant, Ciaran McNeaney and Sam Delves to global roles, further developing its core global executive team, following a significant acquisition and growth period for the company.

Subsequent to BMGPM’s acquisition of the UK-based production music company Deep East Music (DEM) in 2018, it is promoting DEM owners and co-founders Marchant and McNeaney to new key international roles, respectively director of global marketing and director of global production. The executives will report to John Clifford, SVP global--sales, marketing & repertoire. They take on these new roles while remaining responsible for the day-to-day operations of DEM which continues to run as a separate operation to the main BMG Production Music operation in London.

As director of global marketing, Marchant will establish a London-based department that will further develop the BMGPM strategy in this area, as well as support the local marketing initiatives of all BMGPM territories.

Also based in London, as director of global production, McNeaney will oversee BMGPM’s new music production in all territories: UK, US, France, Germany, The Netherlands and Australia. While in close liaison with McNeaney, the respective music production teams in each of these territories will continue to manage day-to-day production of the company’s new music.

Additionally, Delves has been promoted to manager-global marketing, and will report to Marchant. This follows service in the role of digital marketing manager since 2017.

  • Wednesday, Feb. 20, 2019
The 1975, Calvin Harris, Dua Lipa are winners at Brit Awards
Singer Dua Lipa poses for photographers upon arrival at the Brit Awards in London, Wednesday, Feb. 20, 2019. (Photo by Vianney Le Caer/Invision/AP)
LONDON (AP) -- 

Pop-rockers The 1975, DJ Calvin Harris and singer-songwriter Dua Lipa won major prizes at the U.K. music industry's Brit Awards on Wednesday during a slick, surprise-free ceremony that set out to celebrate female talent after past allegations of neglect.

Manchester quartet The 1975 was named best British group and also took British album of the year for "A Brief Inquiry into Online Relationships."

Harris was named producer of the year, while his U.K. chart-topping collaboration with Lipa, "One Kiss," was declared best British single.

Women dominated this year's nominations — outnumbering men for only the second time in the Brits' four-decade history — after past criticism that the Brits have failed to reflect the diversity of British music.

Lipa — who won two Grammy awards earlier this month — and singer-songwriter Anne-Marie started the night with a field-leading four nominations each. Lipa received one award while Anne-Marie went home empty-handed.

Singer Paloma Faith, who slammed the dearth of female performers at last year's Brits ceremony, said she was glad to see a better gender balance represented this time around.

"I know I made quite a lot of people uncomfortable saying that, but now it's been rectified, so I don't care," she said.

This year's show included performances by female acts including Lipa, soulful singer Jorja Smith, Jess Glynne, girl group Little Mix and Pink.

Amid the blossoming of the "Me Too" movement, many attendees wore white roses to the 2018 show to symbolize the fight against sexual harassment, discrimination and assault. The number of women nominated and performing this year was a sign of the U.K. music industry's desire to change.

But the issue still cast a shadow. The 1975 singer Matty Healy used his best British band acceptance speech to quote music journalist Laura Snapes, who has written that women who call out male musicians' misogyny are treated as "hysterics who don't understand art."

Snapes made the observation in 2015 and used it again this week after several women accused American singer-songwriter Ryan Adams of sexual misconduct.

Healy's speech was as edgy as things got.

The ceremony opened with a high-voltage performance from "The Greatest Showman" star Hugh Jackman. A silver-spangled Jackman and dozens of dancers performed the title song from the hit movie musical to kick off the awards show at London's O2 Arena.

The studiously inoffensive tone of the speeches was set by singer-songwriter George Ezra, who took the prize for British male solo artist.

"There's a load of people I have to thank," he said, then added: "I'm not going to name anybody" in case he forgot someone.

The ceremony's' host, comedian Jack Whitehall, poked fun at Ezra's nice-guy image, dubbing him "the Prius of pop" — dull and reliable.

Jorja Smith was named female British artist of the year. The British breakthrough act award went to singer-songwriter Tom Walker, who gave a shout out "to my Gran who's watching somewhere on telly!"

The event was a cozily U.K.-centric affair, with few of the nominated international acts in attendance. International group winner The Carters — husband-and-wife duo Beyonce and Jay Z — sent a video message recorded in front of a portrait of Meghan, Duchess of Cambridge wearing a crown.

Drake, the international male victor, and international female winner Ariana Grande also sent thanks by video.

Most winners at the Brits are chosen by a ballot of music-industry members. Several are selected by public vote, including video of the year, which Little Mix won for "Woman Like Me."

Other performers included The 1975 and an ad hoc British supergroup featuring Rag 'n' Bone Man, Dua Lipa, Sam Smith and Calvin Harris.

Pink received the award for outstanding contribution to music.

"It's been an awesome 20 years. Here's to 20 more," said the American singer-songwriter.

Pink closed the show with a performance of several of her best-known songs, including "Just Give Me a Reason" and the protest anthem "What About Us?" — ending with a defiant raised-fist gesture.

  • Wednesday, Feb. 20, 2019
Chris Stapleton, Dan + Shay lead ACM nominations
In this Sept. 15, 2018 file photo, Kacey Musgraves performs during Music MidTown 2018 at Piedmont Park, in Atlanta. Chris Stapleton, Dan + Shay lead the 54th Academy of Country Music Awards with six nominations each while Grammy album of the year winner Musgraves comes in with five nominations. Reba McEntire, who is hosting the show for a record 16th time, announced the nominees in top categories on “CBS This Morning” on Wednesday, Feb. 20, 2019. (Photo by Katie Darby/Invision/AP, File)
NASHVILLE, Tenn. (AP) -- 

Chris Stapleton and Dan + Shay lead the 54th Academy of Country Music Awards with six nominations each while Grammy album of the year winner Kacey Musgraves comes in with five nominations.

Reba McEntire, who is hosting the show for a record 16th time, announced the nominees in top categories on "CBS This Morning" on Wednesday.

The top category, entertainer of the year, is all male for the second year in a row, which includes Stapleton, Jason Aldean, Luke Bryan, Kenny Chesney and Keith Urban. And Musgraves is the sole female artist in the album of the year category along with Stapleton, Dan + Shay, Eric Church and Dierks Bentley.

The ACMs will be aired on CBS on April 7 from the MGM Grand Arena in Las Vegas.

Stapleton is nominated twice as producer and artist for album of the year for "From A Room: Volume 2," which he won last year for "From A Room: Volume 1." He also seeks to win his second consecutive male artist of the year trophy and is nominated twice for song of the year for "Broken Halos," for which he is also nominated as a producer.

Dan + Shay could make good on their first Grammy win for country song of the year for "Tequila," which has earned them three nominations as a duo at the ACMs. They are also nominated for vocal duo of the year, album of the year for their self-titled release and musical event of the year for a duet with Kelly Clarkson. Dan Smyers earned four individual nominations for his work as a producer and songwriter.

Musgraves beat out the biggest-selling albums of the year by Cardi B and Drake for album of the year at this year's Grammy Awards, but her lack of airplay meant she missed out on a single of the year nomination at the ACMs. She won four total Grammys this year, including best country album and best country song.

She is nominated twice as producer and artist for album of the year for "Golden Hour," and twice for song of the year for "Space Cowboy," which only reached top 30 on Billboard's Hot Country chart. She's also nominated for female artist of the year.

Bentley, Brothers Osborne, Florida Georgia Line, Bebe Rexha also had four nominations each.

  • Wednesday, Feb. 20, 2019
Dua Lipa, Anne-Marie lead Brit Awards nominations
In this Sunday, Feb. 10, 2019 file photo, Dua Lipa arrives at the 61st annual Grammy Awards at the Staples Center in Los Angeles. Home-grown talents Dua Lipa, Anne-Marie and George Ezra lead nominations for the U.K. music industry's Brit Awards, taking place on Wednesday, Feb. 20, 2019. Lipa, whose star status was cemented with two Grammy awards earlier this month, is up for four trophies, including single of the year for both "One Kiss" and "IDGAF." (Photo by Jordan Strauss/Invision/AP, file)
LONDON (AP) -- 

Home-grown talents Dua Lipa, Anne-Marie and George Ezra lead the nominations for the U.K. music industry's Brit Awards , set to be handed out at a ceremony featuring performances by "The Greatest Showman" star Hugh Jackman and DJ Calvin Harris.

Lipa, whose star status was cemented by two Grammy awards earlier this month, is up for four trophies, including single of the year for both "One Kiss" and "IDGAF."

Karate black belt and singer Anne-Marie also has four nods, including best British female solo artist, while Ezra has three.

Women dominate the nominations, after past criticism that the Brits have failed to reflect the diversity of British music.

Pink is due to receive an award for outstanding contribution to music during Wednesday's ceremony at London's O2 Arena, hosted by comedian Jack Whitehall.

  • Friday, Feb. 15, 2019
Killer Tracks, Wax Ltd. launch production music label Audio Wax
Wally Gagel (l) and Xandy Barry
SANTA MONICA, Calif. -- 

Killer Tracks, a Universal Publishing Production Music company, has partnered with independent record label Wax Ltd. to launch production music label Audio Wax. The Audio Wax label will be led by multi-platinum-selling producers/songwriters and Wax Ltd. founders Wally Gagel and Xandy Barry.

Launching with four albums, Audio Wax’s catalog will span anthemic rock, indie/alternative, motivational and uplifting/atmospheric. For the recordings, Gagel and Barry enlisted musicians and producers associated with Wax Ltd., including from the bands Blondfire, Redlight King, Passion Pit, Best Coast and Family of the Year. Recorded with live musicians, Audio Wax’s albums are available now through the Killer Tracks website.  Additional releases are planned throughout 2019.

Since founding Wax Ltd. In 2011, Gagel and Barry have a track record for developing new talent across a range of genres. Successes include indie-produced singer/songwriter Zella Day’s breakout hit "Kicker," as well as Family of the Year’s critically acclaimed 2012 debut "Loma Vista."  Recently, Gagel and Barry co-wrote and produced Swedish singer Elliphant’s single "Til the End," featured in the film Spider-Man™: Into the Spider-Verse. Wax Ltd.’s current roster includes up-and-coming artists Blondfire, WORLDS, Nona and Emerson Star.

The creation of Audio Wax builds on an existing, successful relationship between Gagel, Barry and Killer Tracks, and expands for the first time signature production music. Gagel and Barry have previously written and produced numerous songs for Killer Tracks’ library. Past works have been very successful and widely licensed, including promos for HBO and the Golden Globe awards, and commercials for Nokia and other brands.

“Wally and Xandy are rock star composers, fluent in contemporary trends and connected to an array of emerging artists through their label,” said Killer Tracks EP Ryan Perez-Daple. “We are incredibly excited about the launch of Audio Wax, which represents Wally and Xandy’s distinctive sensibilities and their dedication to quality and authenticity.”

“Our aim was to create a separate label for the production music world, focused on our studio and our network of artists and session musicians,” said Gagel. “We want it to be something special, organic and real.”

“Our concept is to deliver work that is a cut above standard production music,” added Barry. “We maximize quality by applying all of our resources, employing the same musicians and recording techniques we would for a massive commercial release with huge budget.”

Wax Ltd.’s studios are located on the site of legendary TTG Studios, which hosted classic sessions by Jimi Hendrix, The Doors, the Velvet Underground, and others. The studios offer state-of-the-art recording technology and vintage gear, including a unique collection of guitars, synthesizers and amps.

  • Tuesday, Feb. 12, 2019
Ring The Alarm expands audio resources via partnership with Therapy Studios
Eddie Kim
CULVER CITY, Calif. -- 

Ring The Alarm (RTA) has bolstered its services as part of a growing partnership with postproduction facility Therapy Studios. RTA recently moved its base from Boyle Heights to Therapy’s new state-of-the art studio in Culver City, providing another way for Therapy and RTA to cross-pollinate their talent pool to provide clients with the best possible services.
 
Now under the same roof with Therapy, RTA adds the sound design and mixing talents of Eddie Kim and his audio team to its offerings. Clients of Therapy and RTA both have direct access to Kim’s skillset. He becomes RTA’s go-to/in-house sound designer and mixer. Therapy’s client-base can continue to call upon Kim’s mixing and sound design services directly, a la carte, or as part of Therapy’s end-to-end post offering.  
 
Kim’s sonic stylings can be heard in assorted ad campaigns, in addition to numerous features, short films, documentaries, music videos, VR projects, and video games. His work on the Foo Fighters’ HBO docu-series Sonic Highways (produced by Therapy Studios’ sister company Therapy Content) earned him two Emmys for Outstanding Sound Editing for Non-Fiction programing, and Outstanding Sound Mixing for Non-Fiction programing, and a Golden Reel for mixing. Throughout his career, he’s consistently received honors from London International, Cannes Grand Prix, AICP, D&AD, and the Clio Awards. He has served on the juries for the Clios and AICP for sound technique in film.
 
With several successful collaborations for Beats Music under their belts, the dual representation opens Kim up to a host of new clients and partnerships. He explained, “Pursuing more projects together as an all-in-one audio offering is a natural step forward based on the stellar work we’ve created together. Becoming a part of RTA’s roster is an awesome portal for me to continue to do the work I love to do.”
 
Along with RTA’s move to the westside comes growth internally. Dylan Marder, who has been part of the RTA team as a producer since 2014, has been promoted to executive producer. Marder has a decade of experience in the commercial music industry, having got his start managing the Duke Ellington Orchestra in New York, touring with the big band and putting his jazz degree to good use. Since that time he’s evolved his career, working as a composer, engineer, music library specialist, sales rep, and producer--culminating in his new post as EP, where he oversees all RTA projects across music production, sound design, and mix. 

  • Monday, Feb. 11, 2019
Rap artists and women take center stage at Grammys
Kacey Musgraves, winner of the awards for best country album for "Golden Hour", best country song for "Space Cowboy", best country solo performance for "Butterflies" and album of the year for "Golden Hour" poses in the press room at the 61st annual Grammy Awards at the Staples Center on Sunday, Feb. 10, 2019, in Los Angeles. (Photo by Chris Pizzello/Invision/AP)
LOS ANGELES (AP) -- 

Rap artists and women have felt shunned by the Grammy Awards in recent years. But this year, they both took center stage.

Childish Gambino's disturbing look at race relations, "This is America," won record and song of the year on Sunday's telecast. It was the first time a rap-based song won both of those awards, considered — with album of the year — the recording industry's most prestigious.

Kacey Musgraves won top album and matched Childish Gambino with four Grammys total. A year after many women felt left out of the Grammy telecast, they delivered the night's most memorable performances. The best new artist winner, British singer Dua Lipa, also cast major shade on the outgoing recording academy president.

Lady Gaga and Brandi Carlile won three Grammys apiece, and former first lady Michelle Obama was a surprise guest at the top of the show on CBS.

Childish Gambino, the stage name of actor Donald Glover, and another prominent rap nominee, Kendrick Lamar, both declined invitations to perform or attend Sunday's show. Some rap artists feel the Grammys have been slow to recognize how the genre now dominates popular music.

Ludwig Goransson, a songwriter and producer on "This is America," said backstage that he was surprised the victories were so historic. Just listening to the radio, watching the culture and seeing how many rap songs are downloaded is evidence of rap's impact.

"It's about time something like this happened with the Grammys as well," Goransson said.

Cardi B became the first solo woman to win best rap album , although Lauryn Hill was the lead singer of the Fugees, which won the same award at the 1997 Grammys. Cardi B was so nervous accepting the award that she joked, "Maybe I need to start smoking weed."

She looked anything but rattled earlier, when her rendition of "Money" was among the night's performance highlights. Janelle Monae delivered a smoking version of her hit "Make Me Feel"; St. Vincent and Dua Lipa's duet on "Masseduction" was steamy; H.E.R. turned heads with "Hard Place"; and Carlile sang an inspired version of her hit "The Joke."

Being part of a big night for women was huge to her, Carlile said backstage after the show.

"I'm a kid from the '90s and Lilith Fair, you know, and those women were just dominating those platforms," she said. "They were dominating those arena and amphitheater stages. They were getting record deals. They were becoming record executives themselves. They completely controlled the airwaves. They were on the radio. And to watch that backslide for the last 20 years has been heartbreaking. Tonight, it gives me hope as a mother of two young daughters."

When she accepted her best new artist award, Dua Lipa pointedly said, "I guess this year we really stepped up."

That was a reference to outgoing Recording Academy CEO Neil Portnow, who said women needed to "step up" when he was asked about the lack of women in top categories in 2018. He later acknowledged it was a poor choice of words and delivered another mea culpa on Sunday's show.

Yet Dua Lipa was rewarded by having her acceptance speech cut off mid-sentence. She wasn't alone, however, as a handful of other artists were also hustled off the stage, and the show seemed disjointed at the end, rushing through its final awards. Under the circumstances, having a lengthy tribute to Portnow before he gave his own speech seemed tone-deaf.

Lipa said later she would have thanked her fans, her inspirations and team if she had more time.

When she was onstage, Lipa was one of a handful of winners who paid special tribute to fellow artists. Another was Drake, whose appearance to accept the Grammy when "God's Plan" won best rap song was a surprise because he's not big on award shows.

He reminded fans and fellow artists that awards are based on the subjective views of others, and aren't contests in which there are clear winners and losers.

"You've already won if you have people who are singing your songs word for word, if you're a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don't need this right here. I promise you. You already won," he said at the Staples Center in Los Angeles.

Musgrave picked up album of the year for "Golden Hour," which is labeled country but had wider appeal.

"I never dreamed that this record would be met with such love, such warmth, such positivity," said Musgraves, who performed a stately version of her song "Rainbow."

Dolly Parton starred in the best of the night's two tributes to veteran artists, performing a medley of her songs with Miley Cyrus, Katy Perry and Maren Morris. The highlight of Diana Ross' night was the cute introduction by a grandson with a mountain of hair.

The Grammys took some online blowback by having Jennifer Lopez deliver a tribute to Motown , once the nation's preeminent label for black artists. Despite her hustle, Lopez was outshone by show host Alicia Keys and Smokey Robinson delivering one verse of "Tracks of My Tears" a capella.

Obama appeared on the show's opening with Keys, Gaga, Lopez and Jada Pinkett Smith to describe the role music had played in their lives — seemingly a pointed reference to last year's controversy over women artists.

"Music has always helped me tell my story," Obama said. "Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another."

Another ex-White House resident was awarded a Grammy on Sunday. Former President Jimmy Carter, who is 94, won an award for best spoken word recording.

It's his second Grammy.

Associated Press writers Mesfin Fekadu, Nekesa Mumbi Moody, Jonathan Landrum and Beth Harris contributed to this report.

  • Tuesday, Feb. 5, 2019
Sound designer/mix engineer Julienne Guffain joins Sonic Union
Julienne Guffain
NEW YORK -- 

Creative audio studio Sonic Union has added sound designer/mix engineer Julienne Guffain. Working across Sonic Union’s Bryant Park and Union Square locations in NYC, Guffain brings over a decade of experience in audio postproduction to the team, having worked on television, film and branded projects for clients such as Google, Mountain Dew, American Express and Cadillac.

A Virginia native, Guffain followed her film aspirations to NYC to attend New York University’s Tisch School of the Arts. Finding herself drawn to sound in film, it was at NYU where she cut her teeth as a foley-phile and mixer on student films and independent projects. She landed her first industry gig at Hobo Audio, earning mix credits for clients such as The History Channel, The Discovery Channel, and mixing the powerful Emmy-winning television documentary series Rising: Rebuilding Ground Zero. Making her way to Crew Cuts, she began lending her talents to a wide range of spot and brand projects, including the documentary feature Public Figure, which examines the psychological effects of constant social media use. It is slated for a festival run later this year.

  • Friday, Feb. 1, 2019
Grammys launch initiative aiding women producers, engineers
In this June 3, 2018 file photo, Pharrell Williams of N.E.R.D. performs at The Governors Ball Music Festival at Randall's Island Park in New York. The Recording Academy’s Task Force on Diversity and Inclusion is a launching a new initiative announced Friday, Feb. 1, 2019, to create and expand more opportunities to female music producers and engineers. More than 200 musicians, labels and others have already pledged, including Lady Gaga, Justin Bieber, Pearl Jam, Pharrell and Ariana Grande. (Photo by Scott Roth/Invision/AP, File)
NEW YORK (AP) -- 

The Recording Academy's Task Force on Diversity and Inclusion is launching a new initiative to create and expand more opportunities to female music producers and engineers.

The academy on Friday announced the Producer & Engineer Inclusion Initiative, which asks that musicians, record labels and others consider at least two female producers or engineers when working on a project, whether it's a song or an album.

More than 200 have already pledged and are committed to the ask, including Lady Gaga, Justin Bieber, Pearl Jam, Quincy Jones, Pharrell Williams, John Legend, Ariana Grande, Common, Pink, Nicki Minaj and Shawn Mendes.

"It's a really important step to make sure you're considering a diverse slate when you're going to pick a producer or engineer," said Tina Tchen, chair of the academy's Task Force on Diversity and Inclusion, in an interview with The Associated Press. "Pick whoever you want, because we want people to make their own artistic decisions, but we do know the more that women are included in the mix and get a look at and are seen, then doors are going to open up.

"And that's what this is about — making sure all of those doors of opportunities are open to everyone and that women who for so long really haven't had their shot can get a fair shot."

The initiative comes after last year's USC Annenberg study, which said only 2 percent of music producers and 3 percent of engineers are women. Others who have signed on to the new call-to-action include Jennifer Lopez, Maroon 5, Carrie Underwood, the Killers, Kacey Musgraves, Meek Mill, Usher and Selena Gomez. Multiple music producers, record labels, management companies and agencies are also on board.

"It's not just about the artists that we know, but it's the behind-the-scenes folks who are involved: other producers and engineers, the labels, the studios, the agents, the publishers recognizing that they all have a role to play and they can all play a positive role in the change that needs to be made," said Tchen, who was the chief of staff to former first lady Michelle Obama and is a partner at Buckley LLP.

The academy announced the new task force last year after Grammys CEO Neil Portnow said women need to "step up" when asked about the lack of female winners backstage at the 2018 Grammys. Only two female performers won awards during the live telecast and the Grammys were criticized for not letting singer Lorde, the only women nominated for album of the year, perform at the show.

Portnow called his comments a "poor choice of words" and later announced he would leave his post this year.

This year's Grammys, however, include more female nominees in the top categories. Linda Perry, who said she will participate in the new initiative, also made history as the first woman nominated for non-classical producer of the year in 15 years.

To help artists and others find success with the Producer & Engineer Inclusion Initiative, the academy will list working female producers and engineers on their website. The academy is also working with the organizations Women's Audio Mission and She is The Music to connect artists with female creators.

Tchen said to another way they're trying to move the needle is through mentorship: "We're also asking producers and engineers, both men and women, to also mentor young women."

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