Saturday, November 17, 2018

Director Profiles

Displaying 41 - 50 of 161
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: Jeff Nichols
With some embarrassment, director/writer Jeff Nichols admits that he wasn’t at all familiar with the story of Mildred and Richard Loving whose interracial marriage got them jailed and exiled from Virginia in 1958. The couple persevered, became parents and eventually lived in hiding in Virginia,...
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: Ted Melfi
Making a remarkable feature directorial debut at the 2014 Toronto International Film Festival with the critically acclaimed tug-at-the-heartstrings comedy St. Vincent, Ted Melfi found himself sought after for other long-form opportunities. He even recalled being one of two directors in the running...
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: David Mackenzie
When he read Taylor Sheridan’s script for Hell or High Water, director David Mackenzie was floored. “It’s not a very interesting backstory about how I got involved. To put it simply, the script was amazing. I didn’t want to change a word. What Taylor wrote was straight from the heart and to my...
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: Kirsten Johnson
Kirsten Johnson’s talent as a documentary cinematographer often has us empathizing with her subjects, feeling their joy, triumph of the human spirit and oftentimes unspeakable tragedy. Now in her highest profile directorial endeavor to date, the documentary simply titled Cameraperson, Johnson casts...
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: Alma Har'el
Alma Har’el—whose spotmaking/branded content roosts are Epoch Films in the U.S., and B-Reel Films, which she recently joined, in the U.K.—has created many of her own opportunities as a director. Now Har’el is proactively looking to generate more opportunities in general for women filmmakers across...
Monday, Oct. 31, 2016
Fall 2016 Director's Profile: Garth Davis
SHOOT has chronicled the career of director Garth Davis over the years, spanning such developments as his 2010 Directors Guild of America (DGA) Award nomination as Best Commercial Director of the Year (for U.S. Cellular’s “Shadow Puppets” out of Publicis & Hal Riney, San Francisco) and an AICP...
Monday, Apr. 4, 2016
Welcome to the Special Spring 2016 Directors Series SHOOT>e.dition
Welcome to the Special Spring 2016 Edition of SHOOT’s Directors Series. Our profiles include three of this year’s DGA Award winners: Alejandro G. Iñárritu who earned the feature film honor for The Revenant; Matthew Heineman who earned best documentary distinction for Cartel Land; and Andreas...
Monday, Apr. 4, 2016
Spring 2016 Director's Profile: Anthony and Joe Russo
It doesn’t get much more patriotic than Captain America and the Super Bowl. And that’s just part of the creative range of work being turned out by the Russo brothers—Anthony and Joe—whose directorial exploits encompass high-profile theatrical features, TV, commercials and branded content. On the...
Monday, Apr. 4, 2016
Spring 2016 Director's Profile: Andreas Nilsson
First-time nominee Andreas Nilsson of Biscuit Filmworks won the DGA Award for Outstanding Achievement in Commercials in February on the strength of three entries, one of which—”Emily’s Oz” for Comcast/Xfinity—is atypical in the sense that a Guild honor is usually reserved for recognition of a...
Monday, Apr. 4, 2016
Spring 2016 Director's Profile: Sophie Muller
Sophie Muller is an accomplished director best known for her music videos spanning collaborations with such artists as No Doubt, Shakira, Blur, Beyonce, Kings of Leon, Garbage, The Killers, Coldplay, Alicia Keys, the Dixie Chicks, Beck, One Republic, James Bay, One Direction, Selena Gomez, Sam...

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