AICE Awards
Finalists have been announced for the 2017 AICE Awards, and at the top of the list is Colorist Tom Poole of Company 3.
In a first for AICE, the two Past Executive Directors of the international post production trade association – John David Held and Burke Moody – will receive honorary inductions into the AICE Hall of Fame at next month’s awards ceremony in New York.
A perfectionist. A rock star. An innovator. Someone who was “electric with ideas.” These were all used to describe Editor Vito DeSario, who will be inducted into the AICE Hall of Fame at the upcoming AICE Awards in New York on May 11.
AICE has announced the editors and post production artists who’ll serve on the 2017 AICE Awards Curatorial Committee. The roster this year includes talent from member companies across the US and in Canada, including from its newly re-launched Atlanta Chapter, which formed earlier this year.
AICE, the international post production trade association, has announced a new chapter has formed in Atlanta. Months in the making, the Chapter has elected its first Board and elected Molly Baroco, Executive Producer and Partner of Hero Post, as its new President.
The AICE Awards are getting more vibrant.
AICE has just issued its Call for Entries for the 2017 AICE Awards. The international post production trade association’s annual competition will celebrate its 16thanniversary as it recognizes creative and craft excellence in a wide variety of categories.
A dynamic, mesmerizing two-minute animated history of the products and innovations from Honda, created by ad agency RPA, directed by the noted stop-motion director PES and given a seamless infusion of visual effects and finishing by VFX Supervisor and Lead Flame Artist Andy Rafael Barrios of A52,
Finalists for the 2016 AICE Awards have been announced, and work from Editors Sam Ostrove of Cut + Run, last year’s Best in Show winner at the AICE Awards, and Editor Michael Reuter of EditBar has topped the list, earning four nominations each.
Former Leo Burnett Creative Director David Linne may have put it best: “I’ve shot more work with Joe Pytka than any other director, and edited more spots with Terry Kaney than any other editor. He’s that good.”