color correction
Natalie Westerfield has joined Carbon as Executive Producer for Color in Los Angeles. A pro in the color game, Natalie’s care for her craft and clients have built her a reputation as one of the most trusted names in the business.
Gary Oberbrunner has joined Color Intelligence, the company behind Colourlab Ai, and will take on the role of Chief Software Architect.
Hot on the heels of its Version 15 release of Magic Bullet, a collection of tools for color correction, finishing and film looks, Maxon is pleased to announce a feature-rich Service Pack release of Magic Bullet Version 15.1.
Today, Maxon announced, for the first time ever, two major new suite updates at once: Red Giant Trapcode Suite 16 and
Red Giant just announced a flash sale for Magic Bullet Suite, its widely-used color correction, finishing and film looks tools for filmmakers.
DigitalFilm Tree, an award-winning post production and software development company, is pleased to announce that Rick Dalby has come on board as a Senior Colorist.
FilmLight, the leading colour science and grading specialist, is introducing a powerful new version of Baselight for NUKE at IBC2017 (Amsterdam, 15 – 19 September, stand 7.F31).
Blackmagic Design today announced that DaVinci Resolve, its professional editing and color correction software, is now available on Red Hat and CentOS Linux.
Blackmagic Design today announced two new portable hardware control panels for DaVinci Resolve, its professional editing and color correction software.
For Pink's song "Just Like Fire", the signature song for Disney's new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention's VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through the looki