• Monday, Jul. 4, 2016
Lee Ann Daly joins The Talent Business as U.S. chairman
Lee Ann Daly
LOS ANGELES -- 

Lee Ann Daly has become U.S. chairman of The Talent Business, a global executive search firm specializing in marketing, advertising and communications. Her prior roles include EVP/global chief marketing officer at Thomson Reuters, and EVP marketing at ESPN. At The Talent Business she will work in a non-executive capacity alongside global chairman & CEO Gary Stolkin, North America managing director Maria Gianoutsos, and global head of innovation Andy Wardlaw. She will play a key role in shaping The Talent Business’ offering as it continues its expansion in the U.S. 

Daly is based in Los Angeles, where The Talent Business opened its second office in the U.S. last week.  The Talent Business already has a team of 10 in New York and 70 staffers globally.

  • Thursday, Jun. 30, 2016
John Lux named exec director of Film Florida
John Lux
SARASOTA, Fla. -- 

John Lux has been hired to serve as executive director of entertainment and production association Film Florida Inc. With increased membership and the greater role the organization now plays in marketing the State of Florida for production and digital media companies and projects, Film Florida added the full-time position. Lux had previously been on Film Florida’s executive board as treasurer as well as being chair of the marketing committee. The announcement comes days after Film Florida announced Kelly Paige as the new incoming president for 2016-2017.

“Based on the growth the organization has seen over the past few years, this is an obvious next step to continue the positive momentum forward. We’re are thrilled and fortunate to recruit John in this role,” said Paige. “Our organization is made up of volunteers from around the state, but to now have a full-time executive focused on Film Florida’s future and the entire industry is a huge advantage. I look forward to working with John in strengthening our role in marketing, membership and legislative matters as it relates to the production and digital media industry in Florida.”
 
Film Florida is dedicated to developing new marketing and legislative strategies with an emphasis on increasing membership and adding new programming initiatives to maximize the exposure and diversity of the Film Florida brand.
 
Lux related, “The production and digital media industry has been an economic driver in Florida for decades through high-paying jobs, economic development and enhanced tourism and I look forward to spreading that message and strengthening our industry. Our industry, with 16,000 companies in Florida and 100,000 Florida residents working in the industry, is stronger as one voice than many individual voices so focusing on membership and keeping everyone together will be key.”
 
As treasurer the last two years, Lux has helped grow the organization’s financial position. As marketing chair, he executed the Film Florida rebrand in December 2014, creating an entirely new image, website, sizzle reel and visible internal and external presence. He has worked with the legislative & marketing committees to create and deploy two major legislative toolkits, developing all aspects from statistics to style, presenting the document in a professional manner aligned with high-quality industry standards. Lux also took over the social media strategy and execution for Film Florida in 2014, which has resulted in increased participation on Facebook, Twitter and Instagram by the thousands. He has also been integral to the legislative efforts, meeting with over 40 legislators and aides since joining the executive board.

  • Thursday, Jun. 30, 2016
Fotokem adds sr. colorist David Cole
David Cole
BURBANK, Calif. -- 

Sr. colorist David Cole has joined FotoKem’s Creative Services Division, deepening the facility’s digital intermediate talent bench. The move underscores FotoKem’s focus on serving the creative community with top-tier artists and technology experts. One of Cole’s first projects, being done out of FotoKem’s Burbank headquarters, will be Legendary’s upcoming Kong: Skull Island.

Cole began his career in his native Australia as a telecine operator and technical director, quickly segueing to colorist. His early work includes collaborating with director Peter Jackson and cinematographer Andrew Lesnie, ASC, ACS on color for The Lord of the Rings: The Fellowship of the Ring in 2001 at The PostHouse AG, and King Kong in 2004 at Weta Digital. In 2006, he moved to Los Angeles and joined LaserPacific Media where he was colorist on the Oscar-nominated Ides of March, as well as The Savages, TRON: Legacy, the Alvin and the Chipmunks series, and the Best Cinematography Academy Award-winning Life of Pi. Most recently, at Modern VideoFilm, Cole was supervising colorist on titles such as The Book of Life, Eye in the Sky, Alvin and the Chipmunks: The Road Chip, and An Ordinary Man. He was instrumental in creating looks for series such as Sleepy Hollow, Reign, and Scorpion. Cole has recently been engaged in the development of emerging HDR technologies for manufacturers and studios, as well as providing HDR grading for several major home theater releases.

Cole joins a highly regarded group of colorists at FotoKem, including Alastor Arnold, John Daro, Mark Griffith, George Koran, Kostas Theodosiou, and Walter Volpatto. With a wide range of experience and creative relationships, the FotoKem Creative Services team has recently contributed to projects such as San Andreas, The Boxtrolls, Palo Alto, The D Train, Interstellar, The Conjuring 2, Independence Day: Resurgence and Central Intelligence.

  • Tuesday, Jun. 28, 2016
Standard Time promotes Somers, Karnowski; hires Marek, Jones
Pictured (l-r) are Amy Marek, Spencer Somers, Ashley Jones and Sara Karnowski
LOS ANGELES -- 

Standard Time, a content and design studio based in L.A., has made a number of new hires and promotions. On the latter score, Spencer Somers has been upped to creative director from associate creative director while Sara Karnowski has been promoted to account director.

Somers joined Standard Time in 2012 as a copywriter and has served as a creative problem solver for such clients as Starbucks, CVS Pharmacy, TOO FACED Cosmetics and olloclip. He’s been a key contributor—helping win new business, creating holistic campaign strategy, managing freelancers and partnering directly with a diverse set of clients. Somers is a graduate of the NYU Gallatin School of Individualized Study, where he created one of the first mash-up movie trailers. His work was exhibited in 2013 at The Museum of The Moving Image in NYC. 

Karnowski started at Standard Time nearly 18 months ago. In her new capacity she will lead both client side management and project management departments. She has international experience managing successful campaigns across a variety of media for such global brands as Red Bull, L’Oreal Paris, Lexus and Triumph International. It was while living in Cape Town, South Africa, a city bursting with culture and creativity, that she realized her love for all things creative.  

As for Standard Time’s hires, Amy Marek has come on staff as production head in charge of the agency’s in-house production and postproduction divisions, as well as broadcast. And Ashley Jones has joined as associate creative director.

Marek began her content producing career at The Martin Agency and several years later moved to San Francisco to work at Camp+King where she led in all parts of the process from research and strategy to production, while also helping with new business. Key clients have included Expedia, Discover Card, Hanes, Experian and Pizza Hut. In the past year Standard Time has produced all video work in house for Sephora, Twitter, CVS Health, and Ole Smoky Moonshine. 

Born and raised in Toronto, Jones has spent most of her career in New York City. She worked at the design firm RoAndCo where she was the studio’s art director in addition to leading all interactive design projects. In 2013, Jones was awarded a Young Guns award from the ADC. She then worked as an art director at Partners & Spade, where she combined her love for branding, art direction and the online world, to build holistic brand identities for a diverse portfolio of clients. Jones has experience with larger brands, such as Warby Parker, Target, Moda Operandi, and Etsy, as well as smaller brands such as M. Gemi, Frances Valentine and Loeffler Randall. She recently led the rebrand for Peloton Cycle. 

Somers and Jones will lead Standard Time’s creative department and report directly to executive creative director Michael Sharp.

  • Monday, Jun. 27, 2016
Nomad adds editors/partners Jim Ulbrich, Adam Schwartz to NY team
Editor Adam Schwartz
NEW YORK -- 

Nomad Editing Company’s NY office continues to expand its roster with the addition of editors/partners Jim Ulbrich and Adam Schwartz. They follow EP/partner Jennifer Lederman and editor/partner Jai Shukla who joined the company earlier this year.

Since joining Nomad, Ulbrich has worked on projects for Saatchi/NY and Toyota with Droga5. He is now finishing a campaign with Grey. Ulbrich collaborates on many projects with director Matt Smukler from Community Films. 

Ulbrich began his career at Berlin Cameron and then moved to 89 Edit. He shifted over to Mad River and then Beast where he became a partner in the company. Ulbrich has won multiple awards including Cannes Lions and Clios. He has edited much-lauded campaigns for AT&T, Cheerios, Hanes, and Coke.

Editor Schwartz has followed a similar career trajectory as Ulbrich. His client list includes blue chip brands such as Google, HP, Verizon, Reebok, and Nike. Schwartz has collaborated with notable directors including Janusz Kaminski, Errol Morris, Jared Hess, and Wes Anderson. He’s worked on several projects since joining Nomad, and is now editing with BBDO/NY. Schwartz began editing at Lost Planet before he became a founding partner at Beast. 

Lederman described Ulbrich as an editor “who can seamlessly switch skill sets from editing emotional storytelling to cutting some of the best comedy spots out there.”

Of Schwartz, Lederman said, “I had the hardest time choosing spots for his reel because one edit is more interesting than the next. Every spot he cuts shows his contribution as the editor. He has this innate ability to find that extra shot that just unexpectedly brings a cut alive.”

  • Friday, Jun. 24, 2016
Erwin Penland promotes Mawhinney, Shafer, Hoffman
Jeff Hoffman
GREENVILLE, SC -- 

Creative marketing agency Erwin Penland has promoted Karen Mawhinney and Kat Shafer to the newly created position of managing director. Additionally, Jeff Hoffman has been upped to director of business development.

Shafer, Hoffman and Mawhinney had been SVPs, group account directors.

Reporting to Allen Bosworth, co-president and COO, Shafer will handle half of Erwin Penland’s client portfolio, including Califia Farms, CIT Bank, hello products, L.L.Bean, TUMI, Verizon and others. This promotion comes on the heels of three new business wins in which Kat played an integral role.

Mawhinney will continue to lead Denny’s, The UPS Store, and Sears Auto Center, in addition to others. She is a trusted advisor to these teams and has generated significant organic growth opportunities, including leading the Denny’s team from a small, project-based account in 2009 to its current agency of record status attained in 2013.

  • Thursday, Jun. 23, 2016
Emily James promoted to chief strategy officer at RKCR/Y&R
Emily James
LONDON -- 

RKCR/Y&R has completed its senior management triumvirate by promoting Emily James to the role of chief strategy officer.

James, who was previously head of strategy at RKCR/Y&R, joins CEO Jon Sharpe and newly appointed chief creative officer Jonathan Burley on the agency’s executive management team.

James, who reports to Sharpe, will oversee and lead the strategic vision for the agency.  She will be replaced in the role of head of strategy by Tamsin Djaba who joined RKCR/Y&R as strategy partner earlier this year from Droja5 and previously was head of innovation at Fallon London.

James has worked at RKCR/Y&R for over 10 years and has helped create award-winning campaigns for brands such as M&S, Virgin Atlantic and the BBC. She has Authored four award-winning IPA Effectiveness papers, including two Golds, for Virgin Atlantic and the Home Office, and two Silvers for Virgin Atlantic and TfL.

James first joined the agency as a sr. planner and was promoted to head of strategy in 2010. Prior to RKCR/Y&R she was at TBWA\London, Walsh Trott Chick Smith and IMP and worked on brands including Abbey, Thomas Cook and Masterfoods.

  • Tuesday, Jun. 21, 2016
Michael Keany to serve in key digital role at Havas Worldwide
Michael Keany
NEW YORK -- 

Havas Worldwide has appointed Michael Keany to the newly created role of chief commercial officer, Americas, effective June 27.

Keany will be responsible for developing and expanding Havas Worldwide’s digital capabilities in North and South America, with a focus on developing strategic partnerships, identifying new lines of business for Havas and its clients, and scaling digital products and services.  
 
“Throughout his career, Michael has helped organizations use emerging technologies to develop disruptive products and services, enter new markets, and drive client impact,” said Andrew Benett, CEO of Havas Worldwide and Havas Creative Group. “As we aim to continuously transform for the future, Michael will help better position both Havas and our clients for success.”

Keany is a seasoned digital leader and business builder with over 25 years of experience. He joins the agency from McKinsey & Company, where he served as VP and co-founder of McKinsey Academy, a platform as a service (PaaS) start-up focused on digital professional development. Most recently, Keany led Digital Quotient (DQ) and Digital Capabilities (DC), two new ventures that focus on digital transformation. Previously, Keany worked at three iconic digital design innovation firms: Schematic, Method, and Code and Theory, where he was first EVP of strategy and marketing development and, later, CEO.

“I’m delighted to be joining Havas at this exciting time for the industry,” said Keany. “With its commitment to true multidisciplinary collaboration, Havas understands that real innovation requires outstanding teamwork. I look forward to finding better ways to evolve current capabilities and drive business impact.”

Keany will be based in New York and report to Benett.

  • Tuesday, Jun. 21, 2016
Compulsive Pictures adds food director/photographer Jennifer Davick
Jennifer Davick
NEW YORK -- 

Compulsive Pictures, which produces commercials and media content, has added food and culinary lifestyle director/photographer Jennifer Davick to its roster. Her credits span such clients as McDonald’s, Hellmann’s, Norwegian Cruise Line, Whole Foods, Publix Super Markets, Delta Air Lines, Chronicle Books and Meredith Corporation.

Davick has worked with craft food makers and celebrity chefs across the country who are defining the latest culinary trends. Personalities such as Trisha Yearwood of the Food Network and Allan Benton, maker of the wildly popular Benton’s bacon, are among the subjects of Davick’s short films. 

“I specialize in capturing that wonderful intersection where food meets culture and lifestyle,” said Davick. “My films evoke an emotional, sensory experience for the viewer by making food captivating, relatable and, above all, appetizing.” 
 
Davick will be represented on the East Coast by Robin Fried and Richard Fink of R2 , in Chicago and the Midwest by Cathi Connor of Cathi Connor, Inc and in Texas, Los Angeles, San Francisco and additional West Coast locations by Mary Saxon of Saxon & Partners Presents. Compulsive is headed by executive producer Jack Turney.

  • Tuesday, Jun. 21, 2016
Kyle Jones joins Barkley as group creative director
Kyle Jones
KANSAS CITY, Mo. -- 

Kyle Jones has come aboard Kansas City-based agency Barkley as group creative director in charge of the Applebee’s account.

Jones joins Barkley from Venables Bell & Partners in San Francisco, where he worked on Audi and Reebok. He’s perhaps best known as the group creative director at Dallas agency TracyLocke who helped create the Simpsons Kwik-e-Marts for 7-Eleven, when 7-Elevens became Kwik-e-Marts to promote The Simpsons Movie.
 
“Kyle has a lot of experience convincing big, seemingly traditional clients to do innovative, creative work,” said Jason Elm, executive creative director at Barkley. “Coming up with a great idea is the easy part these days. The real challenge is selling it in and flawlessly producing it. Kyle has a track record of doing just that.”
 
Prior to his time at Venables Bell, Jones worked on the Microsoft, Dominos, and Kraft accounts at CP+B. He has won multiple Cannes Lions and One Show Pencils.

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