GOLDCREST Post
Goldcrest Post has appointed Phil Poli as Director of Engineering. A 20-year industry veteran, Poli will be responsible for overseeing, maintaining and developing technology and infrastructure for the facility. Technology strategy will also be part of his remit.
Goldcrest Post has added colorist Steve Beganyi to its team of senior artists. Bringing more than 20 years of post-production experience, much of it centering on documentary films and television series, Beganyi joins a department dedicated to sound and picture finishing for docs.
For the new independent drama Mayday, Goldcrest Post senior colorist Marcy Robinson worked with director Karen Cinorre, in her feature debut, and cinematographer Sam Levy to hone a unique visual language for a one-of-a-kind story that blends fantasy and reality in colorful and unexpected
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts.
Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries and commercials.
Continuing its long-time support for independent film, Goldcrest Post provided post-production sound and/or picture services for ten films screening in this year’s Sundance Film Festival. They include four films taking part in the U.S.
Goldcrest Post Colorist Marcy Robinson applied the final grade to BABY GOD, now streaming on HBO Max.
Editorial and post-production finishing for the 8-episode, first season of the hit Starz series P-Valley was centered in New York as several Post New York Alliance (PNYA) member companies helped bring the fictional small town of Chucalissa, Mississippi vibrantly to life.
Samantha Uber has joined Goldcrest Post as Conform Artist/Manager of Workflow Services and Senior Finishing Editor. Uber will work with film and television clients in designing customized workflows to manage projects from the set through delivery.
NAB Show New York will explore the use of sound and picture finishing to create suspense and emotional tension in feature films. The creative team behind Neon’s “She Dies Tomorrow” will participate in a panel discussion on Friday, October 23.