Assimilate
Always at the forefront of post-production support for the latest RED digital camera formats (www.red.com), ASSIMILATE’s SCRATCH 8.5, build 909, now includes support for RED’s new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized Sensor (full fra
Digital colorist Dave Franks enjoys helping to deliver bleeding-edge projects, like director Tony Kaye’s VR experience: “Pure McCartney VR”— a five-part series of 3D virtual reality (VR) experiences, produced by Jaunt Studios (www.jauntvr.com).
“All American Bikini Car Wash” (2015-2016) brings to mind muscle cars of the super-rich and sexy bombshells straight off the Vegas Strip. And the movie doesn’t disappoint.
In its continued commitment to boost the creativity and productivity of creative professionals in digital cinema within a streamlined post-production workflow, ASSIMILATE today announced SCRATCH 8.5, a significant update to its entire SCRATCH ecosystem.
With 2016 being its breakout year, 360° VR productions are popping up everywhere.
Post-production pro Virgil Kastrup was the colorist for “Ewa”, Makropol’s (www.makropol.dk) latest venture into the world of Virtual Reality (VR) and 3D, which made its debut at the Cannes Film Festival 2016.
In its continued support of all things VR, ASSIMILATE® announced today the new version 8.5 of its SCRATCH VR® Suite, the only professional VR end-to-end, real-time workflow with an all-inclusive toolset for working naturally within a 360 environment -- d
A picture says a thousand words, so launch this link vr360.sweb.media on your Android phone (Samsung S6 or other) via the Chrome mobile browser, click the goggles in the lower right corner, put it in your Google Cardboard, and view immediate headset-based VR
ASSIMILATE today announced its new SCRATCH 8.4, the latest version of its advanced, real-time post-production tools and workflow. “Leading the industry in offering the latest advancements in digital cinema technology is the cornerstone of what we do.