• Wednesday, Jul. 13, 2016
Grey NY's Andreas Dahlqvist named LIA digital jury president
Andreas Dahlqvist
NEW YORK -- 

Andreas Dahlqvist, chief creative officer of Grey New York, will be the digital jury president at the London International Awards (LIA) 2016.
 
Dahlqvist said, “I’m really looking forward to heading up this category. It’s a category that is capturing so many things right now. Very few of the new exciting ideas are not relying on a big digital component. It’s the intersection of almost every other category at the moment and that’s why it’s where you still see the most innovation happen.”
 
Dahlqvist has created groundbreaking integrated campaigns for clients that include McDonald’s, General Mills, Diesel Jeans, Coca-Cola, Chevrolet and Skoda. Through his current role at Grey, along with his past experience at McCann and DDB, he has won assorted major creative awards for his work, including the Cannes Titanium and Grand Prix Lions.

Dahlqvist will head a digital jury which also consists of:
 
•Martin Cedergren, executive creative director and founding partner, M&C Saatchi, Stockholm

•Samuel Estrada, managing director/creative VP, McCann Erickson, Bogota
 
•Corinna Falusi, chief creative officer, Ogilvy & Mather New York
 
•Mike Geiger, managing partner/chief digital officer, David&Goliath, El Segundo, Calif.
 
•Mateusz Mroszczak, executive creative director, Darwin BBDO, Brussels
 
•Ronald Ng, chief creative officer, North America, DigitasLBi, New York
 
•Lucas Peon, digital executive creative director, J. Walter Thompson, London
 
•Mark Pytlik, CEO, Stink Digital, London
 
•Susan Treacy, EVP/executive creative director, FCB Chicago
 
The LIA 2016 Entry System is now accepting entries. Judging will take place in Las Vegas from October 6-14. The shortlists will be announced as each judging session concludes, with winners being announced on November 8.

  • Tuesday, Jul. 12, 2016
Bazillion Pictures adds EP Heather Christiansen
Heather Christiansen
KANSAS CITY, MO -- 

Bazillion Pictures has brought aboard executive producer Heather Christiansen who will be the primary project management producer providing bids and defining scopes of work. She will also oversee project scheduling for the growing 3D animation and visual effects studio.

Christiansen spent many years on the West Coast before returning to her Midwest roots, most recently as a creative operations director at a healthcare marketing firm. She also has worked on independent films in a production manager role, handling multiple responsibilities from developing production schedules and negotiating contracts to casting talent and location scouting.

“Heather brings a comprehensive knowledge of project management and understands how to take care of clients through the entire production process,” said Jeff Beith, president and creative director of Bazillion Pictures. “With her experience on the business side and her background in design, she will be a huge asset to our team of digital artists, animators and editors.”

  • Sunday, Jul. 10, 2016
Cary Sachs named president, TV & streaming, at Ant Farm
Cary Sachs
LOS ANGELES -- 

Creative advertising and marketing agency Ant Farm, known for its high-profile entertainment and brand campaigns, has named longtime entertainment marketing executive Cary Sachs as president, television and streaming, a newly created post at the company. He will be responsible for growing and maintaining the TV and streaming division, overseeing Ant Farm’s staff of creative editors, graphics artists and production professionals. 

Most recently, Sachs had been the chief marketing officer and sr. VP at Pongo, a television marketing agency in Hollywood. His clients include Freeform, Twentieth Television, Disney Channel, National Geographic Channel, NatGeo Wild, Disney XD, GSN and Freemantle, as well as the FOX, ABC and CBS television networks.

Melissa Palazzo Hart, Ant Farm president, said, “Cary has tremendous experience in entertainment marketing across all channels. He joins us at a perfect time, as we are expanding and developing immersive content for streaming channels and services.”

Sachs stated, “Ant Farm is a great fit for me. I have admired their work for many years. I’m looking forward to being able to offer my clients all services from this incredible agency, including social and experiential marketing campaigns.”

Over the years, Sachs has earned eight Telly Awards, four Mobius Advertising Awards, two Key Art Award nominations, and 10 PROMAX International Gold Medallion Awards.

  • Thursday, Jul. 7, 2016
Colorists Van Der Cruyssen, Metcalf join The Mill; Allen upped to group director of color
Damien Van Der Cruyssen
NEW YORK -- 

The Mill has added two colorists and made a key staff promotion in its global color grading department. Colorists Damien Van Der Cruyssen and Nick Metcalf have joined The Mill’s NY studio while Dee Allen has been promoted from executive producer of color to group director of color.

Van Der Cruyssen returns to The Mill following a two-year tenure at Company 3. He is known for work that includes major beauty brands, including Maybelline, L’Oreal and Neutrogena. In addition to his work within the beauty world, Van Der Cruyssen is well versed in long-form color grading, and together with Allen will be developing The Mill’s long-form offering as director of DI. Since his arrival, Van Der Cruyssen has made full use of The Mill’s close relationship with Technicolor, recently grading the Mick Rock feature documentary  SHOT! The Psycho-Spiritual Mantra of Rock, which premiered at the Tribeca Film Festival.

Metcalf joins the New York team from Vision On, where he spent the last six years carving a niche out of working with both film and stills photographers to retouch and grade images for the fashion world, collaborating closely with well-known brands such as J Crew, Gap and Michael Kors.

In his new role of group color director, Allen will work alongside the managing directors and color EPs across all studios, focusing on the continued development of The Mill’s global creative roster and the implementation of new color offerings and initiatives.

Across the group, The Mill now has 16 colorists--including the recently added Derek Hansen in L.A.--all of whom are made available to clients globally via The Mill’s remote grading setup.

Head of color for New York Fergus McCall said, “Acquiring and developing new and existing talent is always exciting, and these additions will ensure our continued offering of the best talent to the global advertising industry. Together with our exceptional roster of grading talent across the group, we’ll look to continue producing creatively engaging, award-winning and visually beautiful work as well as build many strong new client relationships, and cultivate existing ones. The developments to our team usher in a new era for color grading at The Mill, wherein we’ll be looking to expand on our color capabilities and offerings.”

  • Wednesday, Jul. 6, 2016
Erin Endres joins Los York as group account director
Erin Endres
NEW YORK -- 

On the heels of adding Motorola to its client roster which includes the Jordan Brand, Nike and Fitbit, content agency Los York has hired Erin Endres as group account director.

Endres will orchestrate, manage, and drive account activity out of the NYC office for all East Coast business. She will manage day-to-day account management, strategy, team leadership, and business development, helping cement the success of the agency’s NYC office.

Endres joins Los York from R/GA, where she has spent the past four years focusing on brands like L’Oréal Paris, Samsung, and Capital One. Her previous experience spans 14 years at agencies such as BBH, Havas Worldwide, and Syrup, where she developed a set of versatile skills matching Los York’s “Swiss Army Knife” culture that blends content, social, and experiential.

Los York managing partner and co-founder Dex Deboree commented, “Erin’s characteristic passion for brands is matched by her strong competitive drive to do the best creative work possible. Her professional goal is the same as ours: deliver ground-breaking creative in the ever-changing forms of content that generates sales, shifts culture, and moves products, hearts, and minds.”

  • Wednesday, Jul. 6, 2016
Leo Burnett's Mark Tutssel to preside over LIA’s Non-Traditional Jury
Mark Tutssel
LONDON -- 

Mark Tutssel, global chief creative officer of Leo Burnett Worldwide and creative chairman of Publicis Communications, will be the Non-Traditional Jury president for the 2016 London International Awards (LIA). 

“It is an immense privilege to lead the LIA’s Non-Traditional Jury,” said Tutssel. “I’m thrilled to be tasked with the mission to seek and honor revolutionary ideas fueled by bravery, resulting from the alchemy of creativity and technology. To move our industry forward, we need to encourage and celebrate fresh ideas--the unexpected and the unconventional--that have created dynamic business transformations.”

The Non-Traditional Jury seeks to recognize the finest and most inventive entries making use of environment and experience to get across their message.

Named to serve as judges on the Non-Traditional Jury are: Jeremy Craigen, global CCO, Innocean Worldwide, Seoul; Jim Elliott, global CCO, Arnold Worldwide, Boston; Dimitri Guerassimov, CCO, Marcel, Paris; Chris Gurney, regional ECD, ADK Global, Singapore; Guido Heffels, CCO, Heimat, Berlin; Josh Moore, CEO/CCO, Y&R Group NZ, Auckland; Karin Onsager-Birch, CCO, FCB West, San Francisco; Josefine Richards, creative director, INGO, Stockholm; Ajab Samrai, CCO, Ogilvy & Mather Japan GK, Tokyo; and Luiz Sanches, partner/CCO, Almap BBDO, São Paulo, Brazil.

LIA entry deadline is July 13. Work submitted must be broadcast, published or released in a commercial environment with client approval between 1st July 1, 2015, and July 31, 2016.

  • Monday, Jul. 4, 2016
Lee Ann Daly joins The Talent Business as U.S. chairman
Lee Ann Daly
LOS ANGELES -- 

Lee Ann Daly has become U.S. chairman of The Talent Business, a global executive search firm specializing in marketing, advertising and communications. Her prior roles include EVP/global chief marketing officer at Thomson Reuters, and EVP marketing at ESPN. At The Talent Business she will work in a non-executive capacity alongside global chairman & CEO Gary Stolkin, North America managing director Maria Gianoutsos, and global head of innovation Andy Wardlaw. She will play a key role in shaping The Talent Business’ offering as it continues its expansion in the U.S. 

Daly is based in Los Angeles, where The Talent Business opened its second office in the U.S. last week.  The Talent Business already has a team of 10 in New York and 70 staffers globally.

  • Thursday, Jun. 30, 2016
John Lux named exec director of Film Florida
John Lux
SARASOTA, Fla. -- 

John Lux has been hired to serve as executive director of entertainment and production association Film Florida Inc. With increased membership and the greater role the organization now plays in marketing the State of Florida for production and digital media companies and projects, Film Florida added the full-time position. Lux had previously been on Film Florida’s executive board as treasurer as well as being chair of the marketing committee. The announcement comes days after Film Florida announced Kelly Paige as the new incoming president for 2016-2017.

“Based on the growth the organization has seen over the past few years, this is an obvious next step to continue the positive momentum forward. We’re are thrilled and fortunate to recruit John in this role,” said Paige. “Our organization is made up of volunteers from around the state, but to now have a full-time executive focused on Film Florida’s future and the entire industry is a huge advantage. I look forward to working with John in strengthening our role in marketing, membership and legislative matters as it relates to the production and digital media industry in Florida.”
 
Film Florida is dedicated to developing new marketing and legislative strategies with an emphasis on increasing membership and adding new programming initiatives to maximize the exposure and diversity of the Film Florida brand.
 
Lux related, “The production and digital media industry has been an economic driver in Florida for decades through high-paying jobs, economic development and enhanced tourism and I look forward to spreading that message and strengthening our industry. Our industry, with 16,000 companies in Florida and 100,000 Florida residents working in the industry, is stronger as one voice than many individual voices so focusing on membership and keeping everyone together will be key.”
 
As treasurer the last two years, Lux has helped grow the organization’s financial position. As marketing chair, he executed the Film Florida rebrand in December 2014, creating an entirely new image, website, sizzle reel and visible internal and external presence. He has worked with the legislative & marketing committees to create and deploy two major legislative toolkits, developing all aspects from statistics to style, presenting the document in a professional manner aligned with high-quality industry standards. Lux also took over the social media strategy and execution for Film Florida in 2014, which has resulted in increased participation on Facebook, Twitter and Instagram by the thousands. He has also been integral to the legislative efforts, meeting with over 40 legislators and aides since joining the executive board.

  • Thursday, Jun. 30, 2016
Fotokem adds sr. colorist David Cole
David Cole
BURBANK, Calif. -- 

Sr. colorist David Cole has joined FotoKem’s Creative Services Division, deepening the facility’s digital intermediate talent bench. The move underscores FotoKem’s focus on serving the creative community with top-tier artists and technology experts. One of Cole’s first projects, being done out of FotoKem’s Burbank headquarters, will be Legendary’s upcoming Kong: Skull Island.

Cole began his career in his native Australia as a telecine operator and technical director, quickly segueing to colorist. His early work includes collaborating with director Peter Jackson and cinematographer Andrew Lesnie, ASC, ACS on color for The Lord of the Rings: The Fellowship of the Ring in 2001 at The PostHouse AG, and King Kong in 2004 at Weta Digital. In 2006, he moved to Los Angeles and joined LaserPacific Media where he was colorist on the Oscar-nominated Ides of March, as well as The Savages, TRON: Legacy, the Alvin and the Chipmunks series, and the Best Cinematography Academy Award-winning Life of Pi. Most recently, at Modern VideoFilm, Cole was supervising colorist on titles such as The Book of Life, Eye in the Sky, Alvin and the Chipmunks: The Road Chip, and An Ordinary Man. He was instrumental in creating looks for series such as Sleepy Hollow, Reign, and Scorpion. Cole has recently been engaged in the development of emerging HDR technologies for manufacturers and studios, as well as providing HDR grading for several major home theater releases.

Cole joins a highly regarded group of colorists at FotoKem, including Alastor Arnold, John Daro, Mark Griffith, George Koran, Kostas Theodosiou, and Walter Volpatto. With a wide range of experience and creative relationships, the FotoKem Creative Services team has recently contributed to projects such as San Andreas, The Boxtrolls, Palo Alto, The D Train, Interstellar, The Conjuring 2, Independence Day: Resurgence and Central Intelligence.

  • Tuesday, Jun. 28, 2016
Standard Time promotes Somers, Karnowski; hires Marek, Jones
Pictured (l-r) are Amy Marek, Spencer Somers, Ashley Jones and Sara Karnowski
LOS ANGELES -- 

Standard Time, a content and design studio based in L.A., has made a number of new hires and promotions. On the latter score, Spencer Somers has been upped to creative director from associate creative director while Sara Karnowski has been promoted to account director.

Somers joined Standard Time in 2012 as a copywriter and has served as a creative problem solver for such clients as Starbucks, CVS Pharmacy, TOO FACED Cosmetics and olloclip. He’s been a key contributor—helping win new business, creating holistic campaign strategy, managing freelancers and partnering directly with a diverse set of clients. Somers is a graduate of the NYU Gallatin School of Individualized Study, where he created one of the first mash-up movie trailers. His work was exhibited in 2013 at The Museum of The Moving Image in NYC. 

Karnowski started at Standard Time nearly 18 months ago. In her new capacity she will lead both client side management and project management departments. She has international experience managing successful campaigns across a variety of media for such global brands as Red Bull, L’Oreal Paris, Lexus and Triumph International. It was while living in Cape Town, South Africa, a city bursting with culture and creativity, that she realized her love for all things creative.  

As for Standard Time’s hires, Amy Marek has come on staff as production head in charge of the agency’s in-house production and postproduction divisions, as well as broadcast. And Ashley Jones has joined as associate creative director.

Marek began her content producing career at The Martin Agency and several years later moved to San Francisco to work at Camp+King where she led in all parts of the process from research and strategy to production, while also helping with new business. Key clients have included Expedia, Discover Card, Hanes, Experian and Pizza Hut. In the past year Standard Time has produced all video work in house for Sephora, Twitter, CVS Health, and Ole Smoky Moonshine. 

Born and raised in Toronto, Jones has spent most of her career in New York City. She worked at the design firm RoAndCo where she was the studio’s art director in addition to leading all interactive design projects. In 2013, Jones was awarded a Young Guns award from the ADC. She then worked as an art director at Partners & Spade, where she combined her love for branding, art direction and the online world, to build holistic brand identities for a diverse portfolio of clients. Jones has experience with larger brands, such as Warby Parker, Target, Moda Operandi, and Etsy, as well as smaller brands such as M. Gemi, Frances Valentine and Loeffler Randall. She recently led the rebrand for Peloton Cycle. 

Somers and Jones will lead Standard Time’s creative department and report directly to executive creative director Michael Sharp.

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