• Wednesday, May. 25, 2016
DAVID Miami promotes Dodson, Kalathara to creative directors
Russell Dodson
MIAMI -- 

Russell Dodson and Tony Kalathara, an associate creative director duo, have been promoted to creative directors of DAVID Miami. Dodson and Kalathara have been with DAVID Miami since the agency’s inception two years ago, working across the shop’s client roster including Heinz Ketchup and Mustard, Burger King and Coca-Cola.

Born and raised in south Georgia, Dodson spent his pre-advertising days as a bartender, scuba instructor, and bakery owner in Athens, Costa Rica, and the Bahamas. He eventually moved back to the states and got into advertising, working for agencies including Pereira & O’Dell and Crispin Porter + Bogusky in San Francisco and New York. 

Kalathara started his career in finance, but quit within six months to pursue a creative path. He’s worked with brands including Nivea, Nabisco, Vitamin Water and Burger King at FCB, Strawberry Frog, Toy and Crispin Porter + Bogusky.

  • Monday, May. 23, 2016
KT Thayer joins CP+B Boulder as creative director
KT Thayer
BOULDER, Colo. -- 

CP+B has hired KT Thayer as creative director in its Boulder office where he will work on a variety of accounts.

He comes over from ViTRO in San Diego where he spent the past 14 years, most recently as executive creative director. Best known for work on ASICS athletics, Taylor Guitars and Newcastle Brown Ale, Thayer has been recognized by various award shows including Cannes, Communication Arts, The One Show, Kelly Awards and Webby Awards. He has also judged Communication Arts, Kelly Awards and The Show in Minneapolis. While having spent the majority of his career in San Diego, Thayer will be returning to Boulder where he received his undergraduate degree from the University of Colorado, before getting his MS in advertising from Virginia Commonwealth University.
 
“CP+B has always been known for swinging for the fences and right now the agency seems to have a special kind of momentum,” said Thayer. “I’m really excited to be a part of where (chief creative officer) Ralph Watson is taking things creatively in Boulder.”

  • Monday, May. 23, 2016
James Dierx upped to editor at Whitehouse Post
James Dierx
LOS ANGELES -- 

Whitehouse Post has promoted James Dierx to editor on its L.A. roster.

Having attended film school at Depaul University in Chicago, Dierx joined Whitehouse Post as an intern in 2007, working his way up to assistant editor. In 2011 he moved to Whitehouse Los Angeles, transplanting from Chicago where he had just directed and edited his Cats in Tanks, which was featured at the Gold Coast Film Festival and became a viral success with over one million YouTube views.

Dierx has since gone on to work with directors like Smuggler’s Henry-Alex Rubin, documentarian Rory Kennedy, music video director Hiro Murai, and MJZ’s Dante Ariola. Dierx’s reel ranges from Allstate to Toyota, GE to Barbie and Google, and agency relationships include BBDO, Saatchi and Saatchi, 72andSunny, David & Goliath, CP+B, Leo Burnett, and TBWA\Chiat\Day. In addition to his awards for Cats in Tanks, Dierx also received AICE Trailer Park Gold in 2009, and a Silver Plaque at the Chicago International Film Festival TV Awards in 2015.

  • Thursday, May. 19, 2016
Sound designer Culum Simpson joins GCRS
Culum Simpson
LONDON -- 

Continuing in an expansive mode which has seen the launch of new rooftop studio space The Lofts, Grand Central Recording Studios (GCRS) has added sound designer Culum Simpson. He brings to his new roost five years’ experience in audio, working at London studio Jungle on campaigns for the likes of Google, Pepsi, National Autistic Society, PETA and the Royal Navy.

Before moving into sound design, Simpson worked as an actor, played in a band and ran his own rehearsal studios – a range of experiences which he feels has contributed to his skill and creativity in sound design.

Simpson joins GCRS’ stable of sound designers, including Raj Sehgal, Ben Leeves, Munzie Thind, Gary Turnbull, Steve Lane, Tristan Rose, Tom Pugh and Aaron Taffel. 

“I have had my eye on GCRS for a very long time and was absolutely delighted when Carole [GCRS managing director Humphrey] approached me to be part of the team,” said Simpson. “As well as working with this talented group of people, on critically-acclaimed commercials for world-leading brands, I’m excited to be learning what is possible with the top-of-the-range audio equipment that GCRS has invested in.”

GCRS has earned a reputation over the past 22 years as one of the UK’s leading commercial sound studios, providing audio excellence to award-winning spots including Nike’s “Write the Future,” Jaguar’s “Rendezvous” and Heineken’s “Odyssey.”

The new seventh floor studio space The Lofts opened in late 2015 and, in 2016, Studio Five will become one of the first commercial sound studios in London to incorporate cutting-edge audio format Dolby® Atmos™.  

  • Tuesday, May. 17, 2016
The Mill adds colorist Derek Hansen
Derek Hansen
LOS ANGELES -- 

The Mill has added colorist Derek Hansen to its studio in Los Angeles.

Hansen has colored high-profile projects including Miley Cyrus’ “We Can’t Stop,” Bonobo’s “First Fires” and the director’s cut for “Beautiful Lands,” Jeep’s 2015 Super Bowl spot. Prior to arriving at The Mill, Hansen was at MPC.

Adam Scott, head of color, said, “Derek’s work caught my eye. He has a passion for color and brings a strong personal style to his broad scope of work.”

Thatcher Peterson, executive producer, color, added, “Derek’s arrival allows us to further expand our client offering, pushing the boundaries of what we can accomplish. His addition is essential to the growth of The Mill’s color department.”

  • Monday, May. 16, 2016
One at Optimus promotes Jonah Mueller, Emma Jubinski to EP and producer, respectively
Jonah Mueller
CHICAGO -- 

One at Optimus, the production arm of production and post house Optimus, has promoted Jonah Mueller to executive producer and Emma Jubinski to producer. Most recently, Mueller and Jubinski contributed to the growth of the production house as senior producer and associate producer, respectively.

Mueller cut his teeth as an assistant account executive at Laughlin Constable in Chicago. From there, he went to Radar Studios as a PA and worked his way up to producer under a team that included Lisa Masseur who is now ONE at Optimus EP/managing director. He then spent a year freelancing for ONE as a line producer and bidder before being hired full-time last year as a senior producer.  Mueller has worked with brands including Amazon, The Chicago Bulls, Kellogg’s, Kimberly Clark, Lincoln Motor Company, McDonald’s, Motorola, Nintendo, Samsung and SC Johnson. Said Mueller, 

Jubinski most recently was an associate producer at ONE. In 2012, she was hired as an assistant producer at the production house, and she began her career as an intern at Optimus in 2011. Jubinski has worked with a wide array of clients including Craftsman, Joe Boxer, Kellogg’s, Kmart, McDonald’s, Orbit, Pedigree, US Bank and Ziploc. 

  • Monday, May. 16, 2016
Clarity Coverdale Fury adds sr. copywriter Sara Weiler
Sara Weiler
MINNEAPOLIS -- 

Clarity Coverdale Fury has hired sr. copywriter Sara Weiler who has a 12-year agency career and a degree from the University of Minnesota’s School of Journalism and Mass Communications. Weiler brings to her new roost storytelling and digital acumen along with content strategy experience. 

Rob Rankin, president of Clarity Coverdale Fury, added that Weiler also has “a great deal of health and wellness and consumer packaged goods experience that aligns with our footprint and our future.”

Weiler’s health and wellness expertise comes from working with companies such as Baylor Genetics, Hudson Physicians and Walgreens. Her consumer packaged goods experience includes Jack Links, Bellisio, and General Mills.

  • Friday, May. 13, 2016
ContagiousLA expands into photography, snaps up Diana King
Diana King
SANTA MONICA, Calif. -- 

Photographer Diana King has joined ContagiousLA (CLA) for representation on fashion lifestyle and advertising projects. Relatively new to the scene, King has garnered attention for a style that is quirky and colorful with a touch of cinematic flair. Recent subjects include actresses Jamie Chung and Natalie Morales, comedian/actress Mindy Kaling and Transparent creator Jill Soloway. That work is complemented by editorial spreads and ad campaigns for Samsung and Wet Seal. King’s first assignment with CLA is the print component for a multi-platform client-direct Alphaeon campaign; CLA’s Andrew Laurich wrote/directed the broadcast work, airing now.   

“Diana’s photographs are a colorful celebration of beauty and diversity, they’re inspiring,” said CLA owner/executive producer Natalie Sakai, who met King almost a decade ago when they were working together at Anonymous Content. “I’ve been fortunate to witness Diana’s photography grow and blossom over the years. In addition, it’s a happy coincidence that she’s in line with the diversification of our roster. She certainly empowers other female artists, as well as myself.”  

Born and bred in the Bay Area, King migrated down to Los Angeles to study film production and cinematography at Chapman University. Upon graduation, she worked in commercial production and assisted commercial director Nicolai Fuglsig. Transitioning to photography, King assisted British fashion photographer Kayt Jones before branching out on her own.

“Growing up in an Asian family, the only goal in life was to go to college, get a good job, and buy a house,” King recalled. “At the same time, I was artistic and not great at math. I couldn’t study art because it was impractical. So I dabbled in art classes and photography on the side. When I worked on my first film shoot, I thought, ‘Hey this is an industry!’” King worked in film production, but “I always had photography in the back of my mind,” she said. “Shooting on film was expensive and the process felt further from creating. Photography removed some of the obstacles--crew, scope--yet allowed me to still reflect my identity.”

King set her sights on assisting internationally renowned photographer Jones. “Somehow, I had the balls to email Kayt and to offer my help for free,” she said. After a period of alternating between the internship and paid PA gigs, King was hired by Jones. Two years later, King was testing with modeling agencies, freelance assisting, doing production work for photo shoots, and eventually submitting to magazines for editorial assignments. 

King’s latest projects include a bridal story for the Summer issue of California Wedding Day and a fashion lifestyle spread in Family Circle. Of her educational and work experiences in photography and film, King concluded, “When you come from filmmaking, you’re story-driven. With fashion and portraits, I see the whole story in that one image.”

King joins an ensemble of talent at CLA which includes writer/directors Laurich, Jeff Jenkins, Ben Ketai and Andrew Renzi.

  • Wednesday, May. 11, 2016
Stephanie Levy named director of content at We Are Social
Stephanie Levy
NEW YORK -- 

Global social media agency We Are Social has brought experienced digital creative director Stephanie Levy on board to assume the newly created role of director of content.  

Levy will lead We Are Social’s US creative department, in charge of delivering breakthrough creative thinking and content for the agency’s growing client base.  Along with overseeing a team of designers and writers, she will also be instrumental in identifying additional talent as We Are Social expands its creative teams in light of recent new business wins.

Levy has considerable experience in social, having served at leading beauty brand Clinique as its director of creative for social media/online editorial content and before that helping to build out the social media team at Macy’s.  Her other experience includes positions at Jack Morton Worldwide, Geometry Global, HarperCollins Publishing and Situation Interactive.

The hiring of Levy is a strong complement to the agency’s well-known expertise in social media strategy and research & insight, bolstering We Are Social’s ability to deliver highly effective social thinking to clients.

“In addition to her breadth of experience and track record, Stephanie perfectly mirrors our roll-your-sleeves-up and collaborative culture,” said Rob FitzGerald, president, We Are Social.  “Along with recent investments in our strategy and research & insight teams, her appointment reflects We Are Social’s commitment to continually evolve our delivery of content and creative innovation, which we believe is key to driving successful social media programs for brands.”   

  • Wednesday, May. 11, 2016
Jesse Goodwin named VP of music supervision at Hit House
Jesse Goodwin
LOS ANGELES -- 

Custom music production and sound design company The Hit House has named Jesse Goodwin as the company’s first VP of music supervision.  Most recently, Goodwin had been music supervisor with Seismic Productions, an entertainment marketing company.
 
In addition to Seismic, he also ran the music departments for several other houses including Big Picture Entertainment and Herzog & Co. He has sonically overseen countless marketing campaigns, winning two Golden Trailers for Best Music, and has freelanced on many other entertainment projects.
 
Goodwin said, “I have been a client of the Hit House since their inception, for no other reason than they are amazing at what they do and made my life as a music supervisor much easier. I’ve always appreciated how they work and interact with people, which to me is just as important as the work they create. When the opportunity arose to become part of their ever growing company, it felt like a no brainer. I can’t imagine a better fit for me. I look forward to helping them become a full service agency with my music supervision experience, while also guiding the expansion of their catalog and lending a knowing ear to the production of the custom scoring they are famous for.”

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