• Tuesday, Nov. 1, 2016
Rosa, Lanning to head FuseFx’s Vancouver studio
Randall Rosa

FuseFX has appointed visual effects industry veterans Randall Rosa and Wendy Lanning to head its production facility in Vancouver. Rosa will lead the creative team as head of production/sr. VFX supervisor. He brings more than 20 years of experience in senior creative and management roles, including posts with Stan Winston Digital and Digital Domain. Lanning arrives as executive producer and will oversee client relations, business development and strategic planning.

FuseFX launched its Vancouver operation in 2014. In Vancouver, it produces visual effects for such series as The Magicians, Dark Matter, Zoo, Salem, Aftermath and Timeless. Upcoming projects include Prison Break and Mist.

“Vancouver is one of the most dynamic markets for television production in the world and we have built a team there that is acutely attuned to television production and knows how to deliver superb visual effects,” said FuseFX president David Altenau. “Randall and Wendy bring the experience and the drive to continue that success and help us reach the next level.”

Rosa previously served as animation director and oversaw the 3D Department for Air Bud Entertainment for a number of family features for Disney and Netflix. While studying computer science and art & design at California Polytechnic University, he was encouraged to attend California Institute of the Arts and study animation by John Lasseter. After graduating from Cal Arts in 1993, he joined the newly forming Digital Domain, eventually rising to animation supervisor while contributing to such features as True Lies, Apollo 13 and How the Grinch Stole Christmas, as well as award-winning television commercials for GM, Coca-Cola, Mercedes Benz, Budweiser and others.

In 2002, Rosa joined Stan Winston Studio, where he co-founded and served as animation director/EP of the studio’s digital production arm, Stan Winston Digital. His background also includes freelance and consulting work for studios in Los Angeles and Canada on film, television, commercial, gaming and music video projects.

Rosa called his role with FuseFX an opportunity to build on the strong creative team at FuseFX and work on the best shows in television. “This company has great talent and I want to foster an atmosphere where artists are continually challenged and clients’ creative goals are always exceeded,” he said. “It’s a wonderful time to be in Vancouver and to work in episodic storytelling.”

Lanning’s career in visual effects spans 20 years in Vancouver and Toronto. Most recently, she was visual effects EP at Psyop Film & Television, Vancouver. She held a similar post with Look Effects, Vancouver, where her credits included Game of Thrones, The Walking Dead and Noah. She also served in producer roles with Digital Domain and Prime Focus. She was a co-founder and executive VFX producer of Intelligent Creatures, a Toronto visual effects house. Highlights there included Mr. & Mrs. Smith, The Fountain and Babel.

“I’ve been a big fan of FuseFX,” Lanning said. “The company has an excellent leadership team that is redefining episodic visual effects. The Vancouver office has been producing excellent work and I see great potential for its growth.”

FuseFX maintains facilities in Los Angeles, New York and Vancouver.

  • Monday, Oct. 31, 2016
Attention's span grows with 3 strategic hires
Asif Khan
NEW YORK -- 

Attention, a global social media agency that is an arm of KBS, has hired Asif Khan, Tim Gunatilaka, and Ben Krantz as VP/strategy & analytics, director of content, and creative director, respectively.
 
“Asif, Tim and Ben all have deep social and content roots but provide a broader purview of the marketing landscape, which is important to us as we continue to innovate for and with our clients,” said president of Attention, Tom Buontempo.
 
Kahn will be responsible for bringing a fresh perspective to Attention’s strategy and creative team, and showing the agency how data and creativity are inextricably linked. Prior to joining Attention, Khan led the strategy department at VICE Media’s Carrot Creative where he played an instrumental role in winning several pieces of new business, including Chipotle as its first ever-social AOR and several Unilever brands. He is also responsible for building the Carrot Strategy team from 3 to 15 members. Before joining Carrot, Asif held various strategy roles at branding, experiential and digital agencies after first starting his career in market research.
 
Gunatilaka’s background in journalism will allow him to bring an audience-first perspective to Attention’s storytelling capabilities. Previously, as associate director of content and social strategy at KBS, he helped launch the digital magazine IQ by Intel, among other branded content platforms. Before that, he served as head of content innovation at OMD where he oversaw GE’s foray into podcasts and virtual reality. Earlier in his career, he was a journalist for publications including Entertainment Weekly, SPIN and Paper Magazine.
 
Krantz has built a reputation for his ability to create authentic conversations and experiences for brands. As creative director at Attention, he is making an immediate impact on the creative department, including the agency’s own rebranding efforts. For nearly a decade, Krantz has led and developed groundbreaking campaigns across digital, social, traditional and experiential platforms for clients including Mercedes-Benz, American Express, Citibank and P&G. Previously, Krantz served as associate creative director at Tribal Worldwide and Publicis.
 
Attention recently launched an L.A.-based influencer studio, Meat & Produce, dedicated to leveraging the craft of a raw creator base, fostering brand collaborations and helping the influencer community build a business around their talent.

  • Friday, Oct. 28, 2016
Al Cleland promoted to managing director of Deluxe’s EFILM
Al Cleland
LOS ANGELES -- 

Al Cleland has been named managing director of Deluxe’s EFILM, leading digital color, finishing, and location services for the creative company servicing feature films, episodics and trailers. He’s been promoted from his post as VP over the past eight years at the helm of EFILM’s trailers business.

Cleland is a 30-year veteran of the postproduction business. He started his career at Editel and joined CIS, which later became EFILM, as one of the company’s original employees. He served as sr. VP and general manager at Technicolor Creative Services for 10 years, and at Postworks, Los Angeles, returning to EFILM as VP of trailers. He has worked at every level of postproduction from tape assistant to senior executive, with a strong track record for delivering the highest quality images and consistently positive client experiences. 
 
“Al’s career speaks for itself,” said John Paulson, Deluxe president of Features and Advertising Post. “He’s a respected thought leader within the industry and a trusted and admired manager throughout Deluxe. He’s a forward thinker who has built and led many successful teams and businesses with foresight, rock-solid execution, and the flexibility that allows new ideas flourish. He’s an ideal leader for EFILM.”

  • Thursday, Oct. 27, 2016
Carmichael Lynch hires Lachlan Badenoch as chief strategy officer
Lachlan Badenoch
MINNEAPOLIS -- 

Lachlan Badenoch has joined Carmichael Lynch as the agency’s chief strategy officer.

Badenoch comes aboard Carmichael Lynch after a nearly 20-year strategic track record, most recently running an independent consultancy and working at Minneapolis-based strategy agency Zeus Jones, where he lent his extensive cross-discipline global experience to drive business thinking and marketing innovations for clients such as Nestle, GMI, Purina and others.
 
Badenoch was previously based in Paris directing global strategy for Publicis Groupe’s multi-market, multi-agency clients, including Nestlé and Orange. Before that, he spent time at Fallon Minneapolis where he served as planning director on the BMW, Brawny and Purina accounts. He started his strategy career at Leo Burnett London, where he helped pioneer digital and brand entertainment projects for Heinz, Nintendo, McDonald’s, Virgin, and other major brands.

“The opportunity for brands today necessitates not just integrated thinking, but the ability to execute truly interdependent actions and ideas that aren’t bound by traditional definitions – they must span business decisions and marketing touchpoints,” said Badenoch.  “I’m proud to be able to join a team where we have world class analytics, strategic thinking, creative, media and PR capabilities all organized as one interdependent team, under one roof. That means we can not only help identify the right thing to do for our clients’ businesses, but actually help them do it brilliantly.”

  • Thursday, Oct. 27, 2016
MEC Wavemaker promotes Ben Bradley to head of sports & entertainment
Pictured (l-r) are: Angela Soteriou, Ben Bradley and Terri Squibb
LONDON -- 

MEC Wavemaker has boosted its senior team with a series of promotions, including Ben Bradley as its new head of sports & entertainment partnerships.
 
Bradley, previously a business director, will lead sports and entertainment partnerships across all clients.
 
Bradley’s appointment is a result of the expansion and growth of MEC Wavemaker’s content led approach in sport and entertainment partnership activation. He reports to MEC Wavemaker managing director Matt Davies.
 
MEC Wavemaker has also promoted Terri Squibb and Angela Soteriou, account directors in the Content Partnerships team, to business directors.
 
Squibb will lead the Colgate-Palmolive, Henkel and B&Q accounts within Wavemaker, while Soteriou will lead Vodafone, Beiersdorf, and Lloyds Banking Group. They both report to head of content partnerships Damien Gillman.

  • Monday, Oct. 24, 2016
Maria Smith upped to ECD at M&C Saatchi LA
M&C Saatchi LA's (l-r) Kate Bristow, Maria Smith and Huw Griffith
LOS ANGELES -- 

Maria Smith has been promoted from creative director to executive creative director at M&C Saatchi LA. As ECD, Smith will lead M&C Saatchi LA’s creative team and initiatives. She will also work closely with founders, CEO/partner Huw Griffith and chief strategy officer Kate Bristow, to direct the agency’s creative voice and output. 

Smith has been a creative director, associate CD and copywriter for 12 years, nearly 10 of which have been with M&C Saatchi LA. She started her creative career as a copywriter at TBWA\Tequila, with a focus on digital advertising. She then became part of an integrated team at TBWA\Chiat\Day, where she worked on Nissan, Infiniti, Sony and Energizer. While at M&C Saatchi, she has contributed to award-winning campaigns for the San Diego Zoo and Epson.

  • Monday, Oct. 24, 2016
Light Iron names Josh Haynie VP of U.S. Operations
Josh Haynie
HOLLYWOOD, Calif. -- 

Light Iron--a leading postproduction solutions provider and member of the Panavision family of companies--has appointed veteran post professional Josh Haynie to the newly created role of VP of U.S. Operations. Based in Light Iron’s flagship Hollywood facility, Haynie will be responsible for leveraging the company’s resources across Los Angeles, New York, New Orleans, and future locations.
 
“Light Iron has experienced significant growth since being acquired by Panavision,” said Peter Cioni, the company’s CFO. “To continue on this trajectory, we’re bringing in a leader to assist us with navigating the complexities that commonly impact larger businesses. Josh’s experience is unmatched:  he has strong operational and managerial skills, as well as deep client relationships, which will enable Light Iron to continue to grow and be a leader in the industry.”
 
Haynie joins Light Iron after 13 years at EFILM, where, as managing director, he maintained direct responsibility for all aspects of the company’s operations including EC3 (on-location services), facility dailies, trailers, digital intermediate, home video, and restoration. Haynie managed a team of 100+ employees, and more than 650 digital intermediates were completed under his watch. Previously, Haynie held positions at Sunset Digital, Octane/Lightning Dubs, Sunset Post, and other production and post companies. Haynie is an Associate Member of the ASC, and is also actively involved in the HPA, SMPTE, and VES.
 
Haynie noted that it is an exciting time to join Light Iron: “From the expansion of Light Iron’s episodic services and NY facilities to the development of the color science in the new Millennium DXL camera, it is clear that the integration of Panavision and Light Iron brings significant benefits to clients. I look forward to working with the entire team to further elevate a level of service that is unprecedented in our industry.”
 
Panavision CEO Kim Snyder added, “The addition of Josh Haynie comes at a key moment in the overall growth of Panavision. We are committed to providing a full portfolio of innovative, creative solutions throughout the production and post process.”

  • Monday, Oct. 24, 2016
MediaMonks adds Prohaska, Sears to NY leadership team
S. Jason Prohaska
NEW YORK -- 

Global digital production company MediaMonks has appointed S. Jason Prohaska, and Gradwell Sears to the roles of managing director and creative director, respectively. They join Jouke Vuurmans, Ola Björling, David Estis and Nathalie Visser to complete the New York leadership team.

Prohaska has nine years under his belt as partner and managing director of creative digital agency Big Spaceship. He has also held leadership positions at Mattel, Your Majesty Co., Method, and HUSH. He is an original co-founding member of SoDA and began his career building fine art collections and visual imaging platforms for artists, collectors and museum foundations in the U.S. and Europe.

Sears returns to New York from AKQA’s London office where he led global digital creative for Rolls-Royce, Virgin Holidays, MINI and BMW Art Car. He previously lived and worked in New York for over 14 years, developing and directing digital creative output for Kraftworks and Arnold Worldwide. 

As managing director, Prohaska will focus on creative business strategy, expanding NA and LATAM synchronization, U.S. talent development and culture building, while Sears will use his expertise to further extend the creative offerings across North and Latin America.

The team as a whole will continue to pave the way in AR/AI and VR under the leadership of Björling, and platforms, big builds and brand campaigns under the leadership of Vuurmans. Estis, who recently led the team for The Pro Walk, a four-room hero fan experience for Amex at the 2016 U.S. Open, will drive concept development across 2D and 3D film, connected experiences and experiential design.

“The use of creative technology is constantly expanding and MediaMonks is at the forefront of that,” said Prohaska. “With so much expertise and inspiring leadership under one roof it’s exciting to be able to work with such a combination of disciplines, from VR, AR-AI and 3D to experiential design and connected platforms. While my role is to bring the New York office to its fun-filled powerhouse potential, I’ll also be directly involved in brand strategy and creative technologies that are driving our industry.”

  • Friday, Oct. 21, 2016
Superlounge names Vicki Ordeshook EP, national sales & marketing
Vicki Ordeshook
SANTA MONICA, Calif. -- 

Vicki Ordeshook has been named executive producer, national sales and marketing, for Superlounge, working alongside EP/partner Dave Farrell. In the newly created role, Ordeshook will oversee sales and marketing for the production company. She has secured James Bartlett of Mr. Bartlett for East Coast representation, and John Buckley of Buckley Reps on the West Coast. Kristina Kovacevic-Plunkett and Joanna Miller of KK&Joanna remain in place in the Midwest. Prior to joining Superlounge, Ordeshook spent three years at Elias, where she served as an EP across all facets of its business with a concentration on sales and marketing.
 
Ordeshook graduated from LMU’s School of Film and Television with a degree in Film Production, then joined music/sound company Machine Head, where she rose through the ranks to executive producer. Over the next decade, she expanded her producing skills beyond advertising into film, television and video games, including serving as executive music and sound roducer of The Call, starring John Malkovich and Uma Thurman, directed by Antoine Fuqua and sponsored by Pirelli Tires. Additionally, Ordeshook worked in artist management, live action production, post and sales, before joining Elias in 2013.
 
“I’m excited to be involved in taking Superlounge to the next level,” said Ordeshook,-“building the roster and spreading the news about their talents, delightful personalities, hands-on approach and commitment to making great stories come to life. This position is also a great opportunity to get back to my first love, filmmaking.”
 
Superlounge recently completed production on its second round of Toyota’s “Built To Amaze” digital campaign (via Saatchi LA), and a Ford campaign created via GTB (formerly Team Detroit). Both projects were directed by Jordan Brady.
 
In addition to Brady, the Superlounge roster is comprised of award-winning commercial directors Daniel Sheppard, Brett Wagner, Barton Landsman, Jeff Aron Lable and Jeanette Godoy.

  • Wednesday, Oct. 19, 2016
Ronen Tanchum to head The Artery’s new VR/AR division
Ronen Tanchum
NEW YORK -- 

The Artery (formerly The Artery VFX) has named Ronen Tanchum to serve as creative and technical director who will head the company’s newly launched VR/AR division. The announcement of his addition was made by Deborah Sullivan, The Artery’s EP/managing director.

Prior to joining The Artery, Tanchum produced complex FX setups and overseen digital tools development for such recent blockbuster features as Deadpool, Transformers, The Amazing Spider-Man, Happy Feet 2, Teenage Mutant Ninja Turtles, and The Wolverine.
 
Recent projects for which The Artery has created visuals include the Sony Pictures Classics film Norman starring Richard Gere; the 2016 MTV Video Music Awards; the new Netflix TV series “The Get Down”; and social media imagery for Pepsi.
 
Given the rapidly burgeoning demand for virtual reality and augmented reality content from major brands and creators of filmed entertainment content around the globe, The Artery sees an enormous new potential market, worldwide, for the company’s development of original content in VR & AR on behalf of a diverse range of clients, prompting the formation of its new division.
 
“VR today stands at just the tip of the iceberg,” says Tanchum. “Before VR came along, we were just observers, and controlled our worlds through a mouse and a keyboard. Through the VR medium, humans become active participants in the virtual world – we get to step into our own imaginations with a direct link to our brains for the first time, experiencing the first impressions of a virtual world. As creators, VR offers us a very powerful tool by which to present a unique new experience.”
 
Tanchum added, “We inform our clients that VR shouldn’t be created just because it’s ‘cool.’ The new VR platform should be used to play an integral part of the storyline itself – a well crafted VR experience should embellish and complement the story. We pride ourselves in our ‘story first’ approach to this new platform.”

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